Fishermen by a River at Dusk
JAQUES, Bertha
Color etching printed on thick wove paper. Edition unknown, probably small. Signed in pencil.
While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Color etching printed on thick wove paper. Edition unknown, probably small. Signed in pencil.
Etching and aquatint printed on Hahnemühle Copperplate Bright White wove paper.Edition of 120, published by the Madison Print Club.There were a fur...
View full detailsAquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsEtching and aquatint on wove paper, 1935.Reference: Smith I-8c.Edition of 250, as issued by The Print Club of Cleveland.Signed in pencil.
Aquatint and soft-ground etching printed in simultaneous color printing (color viscosity) on Arches wove paper.Proof impression, aside from the edi...
View full detailsEtching and aquatint printed in color on wove paper.Edition of 200.Signed, titled and numbered in pencil.
Etching and aquatint printed in color on wove paper.Edition of 135.Signed, titled and numbered in pencil.
Color aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
View full detailsEtching and aquatint printed in blue ink on simili-Japan paper.Edition unknown, but very likely small. This composition seems scarce. Signed and ti...
View full detailsColor etching and aquatint on simili-Japan paper. Edition unknown, but likely small. Signed and titled in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Aquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
The title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsColor viscosity intaglio print on tan wove paper, 1957.Artist's proof. No edition as a such. But clearly used for another edition.Seemingly this ...
View full detailsColor viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.
Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsColor intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
View full detailsColor intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
View full detailsColor intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
View full detailsAquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
View full detailsAquatint and etching on wove paper. Edition of 100. Signed in pencil.
Color viscosity intaglio on Arches wove paper.Stated edition of 10, but according to the artist likely not printed in full.Printed while the artist...
View full detailsPlease sign up for our newsletter
Email: info@armstrongfineart.com
Phone: 312-664-9312
1200 West 35th Street, #186
Chicago, IL 60609-1305
Copyright © 2024 Armstrong Fine Art.
Development by Alo Agency. Powered by Shopify