The Eiffel Tower at Night
DELAVALLEE, Henri
Henri DELAVALEE (1862-1943) La Tour Eiffel la Nuit (original French title) Soft-ground etching and aquatint on simili-japon paper. Reference: Moran...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Henri DELAVALEE (1862-1943) La Tour Eiffel la Nuit (original French title) Soft-ground etching and aquatint on simili-japon paper. Reference: Moran...
View full detailsFELIX BUHOT (1847-1898) National Holiday on the Boulevard de Clichy La Fête nationale au Boulevard Clichy (original French title) Etching, aquatint...
View full detailsColor viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.
Aquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsLe Femme au Piano, d’après Marcel Gromaire (original French title) Color etching and aquatint on thick wove paper.References: Ginestet & Pouil...
View full detailsAu Bal (original French title) Aquatint on Pellet et Legrand wove paper.Reference: Exsteens 317 ; Arwas 431. Edition of 70. Published by Gustave P...
View full detailsVieille Femme (original French title)Drypoint, etching, and aquatint on laid paper.Reference: Tabanelli 43. From the total edition of 40 in the sec...
View full detailsDémolitions Rue Lepic (original French title) Etching and aquatint on laid Arches paper.Reference: Delteil 14; BN-IFF 3. Early state before further...
View full detailsJardin du Luxembourg (original French title) Color etching and aquatint on laid paper. Ref: Goldschmidt 25. Edition of 50. Published by Charles H...
View full detailsRamasseurs de Bouts de Cigares au Pont de Grenelle (original French title) Aquatint, soft-ground, and etching on laid paper.Reference: Morane 38. ...
View full detailsUne Matinée d’Hiver au Quai de l’Hôtel-Dieu (original French title) Etching, drypoint, and aquatint printed in black ink on thick wove paper, 1876...
View full detailsDans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
View full detailsL’Hiver à Paris or La Neige à Paris (original French titles) Etching, aquatint, scraper, and drypoint on laid paper.Reference: Bourcard & Goodf...
View full detailsUn Gueux (original French title) Etching and aquatint on laid paper. Reference: Tabanelli 10. On impression in black ink only. Impressions in color...
View full detailsLa Femme au Rocking-Chair (original French title) Color aquatint, soft-ground, and etching on laid paper, 1900. Reference: Cate & Grivel 101, F...
View full detailsEtching and aquatint on wove paper. Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...
View full detailsEtching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
View full detailsColor aquatint on laid paper, circa 1907. Reference: Merrill Chase 27. Likely an edition of 100. Signed in crayon on the image, and numbered below ...
View full details"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
View full detailsLa Place des Martyrs et la Taverne du Bagne (original French title) Etching and aquatint printed in two tones on tan wove paper.Reference: Bourcard...
View full detailsMatinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
View full detailsLa Fête National de 30 Juin au Boulevard Clichy (original French title) Etching and aquatint printed in two tones on wove paper, 1878.Reference: Bo...
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