Western Isle II
FAIRCLOUGH, Michael
Color aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Color aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
View full detailsafter Paul CÉZANNE (1839-1906) Les Joueurs de Cartes (original French title) Aquatint and etching printed in color on Arches wove paper.Reference: ...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsDeux Martyrs (Honfleur) (original French title) Etching, aquatint, and burnisher on laid Arches paper.Ref: Bertin 188. Only one known state.Signed...
View full detailsL’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
View full detailsEtching and color aquatint on wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed, t...
View full detailsAquatint, mezzotint, and drypoint on Arches wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washingto...
View full detailsJardin du Luxembourg (original French title) Color etching and aquatint on laid paper. Ref: Goldschmidt 25. Edition of 50. Published by Charles H...
View full detailsColor aquatint and etching on thick wove paper. Published by Alfred Bell & Co Ltd, 6 Old Bond Street, London. Edition unknown, but scarce. Sig...
View full detailsAdèle préparant le tub et Ketty aux bras levés (original French title) Drypoint, etching, and aquatint on wove Rives paper.Reference: Petrides E. 2...
View full detailsUn Conte de Noël (original French title) Color etching and aquatint on wove paper, no date. An artist’s proof. Edition unknown. Cautiously a man le...
View full detailsL’Hiver à Paris or La Neige à Paris (original French titles) Etching, aquatint, scraper, and drypoint on laid paper.Reference: Bourcard & Goodf...
View full detailsLa Place Pigalle en 1878 (original French title) Etching, aquatint, and drypoint on Japan paper, 1878.Reference: Bourcard & Goodfriend 129 vi/v...
View full detailsRetour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
View full detailsLa Femme au Rocking-Chair (original French title) Color aquatint, soft-ground, and etching on laid paper, 1900. Reference: Cate & Grivel 101, F...
View full detailsEtching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
View full detailsCoin de rue, Quartier des Grandes Carrières (original French title) Etching and aquatint on laid Japan paper.Reference: Tabanelli 76. Artist's proo...
View full detailsEtching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
View full detailsEtching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
View full detailsColor aquatint on laid paper, circa 1907. Reference: Merrill Chase 27. Likely an edition of 100. Signed in crayon on the image, and numbered below ...
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