Meeting Place in Saint-Maximin
CAPORASO, Angelica
Lieu de Rencontre – St Maximin (original French title) Color etching and aquatint on BFK Rives wove paper.Edition of 50.Signed, titled, numbered an...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Lieu de Rencontre – St Maximin (original French title) Color etching and aquatint on BFK Rives wove paper.Edition of 50.Signed, titled, numbered an...
View full detailsColor aquatint and soft ground etching on Arches wove paper, 1963.This is likely printed using the Atelier 17 method of simultaneous color printing...
View full detailsL’Aiglon (original French title) Simultaneous color printing aquatint on Arches wove paper, n.d.Edition of 120.Signed and numbered in pencil.
Color aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.
Quatre Iles (original French title)Embossed color aquatint and linear scuffing on wove paper.Printed to the sheet edge, as usual.Trial proof, aside...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Color aquatint and drypoint printed on handmade French paper.Edition of 25. Scarce.Signed and numbered in pencil.Very fine impression in pristine ...
View full detailsColor viscosity intaglio print on tan wove paper, 1957.Artist's proof. No edition as a such. But clearly used for another edition.Seemingly this ...
View full detailsColor viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.
Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsThe title seems to be a name, Deviah, Devish. The spelling is uncertain. Any insight would be welcome. Cut-out aquatint and soft-ground etching, ...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsColor aquatint, etching, and engraving printed on wove BFK Rives paper.Artist’s proof. No stated edition has been identified, and it is unlikely t...
View full detailsMm. Papillon (original French title) Cutout etching and aquatint printed in color on Arches wove paper.Edition of 100.Published by Georgetown Graph...
View full detailsColor intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
View full detailsColor intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
View full detailsColor intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
View full detailsAquatint, mezzotint, and drypoint on Arches wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washingto...
View full detailsAquatint and etching on wove paper. Edition of 100. Signed in pencil.
Color aquatint and etching on wove paper. Edition of 30. While this is the edition stated by the artist it looks unlikely that it was printed in fu...
View full detailsDéplacement (original French title) Aquatint printed black ink on BFK Rives wove paper, with a silver background tint, 1975. Edition of 100. Publis...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.5.Edition of 100. Signed, titled, and numbered in pencil. NOTE:...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.4.Edition of 100.Signed, titled, and numbered in pencil. Condit...
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