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Night Flight
ZIEGLER, Henry
Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
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Color aquatint and etching on laid paper.Edition unknown.Signed and annotated “Epreuve d’artiste” in pencil. Very slight mat burn in the margins; u...
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Etching and aquatint on wove paper, 1935.Reference: Smith I-8c.Edition of 250, as issued by The Print Club of Cleveland.Signed in pencil.
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After Alphonse OSBERT (1857 – 1939)Etched by René LORRAIN (1873 – after 1939) Soir Antique (original French title) Color aquatint on thick Arches ...
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La Coulée (original French title) Color aquatint and etching on laid paper.Ref: not in BN-IFF.Edition of 50, but like all of this artist’s prints, ...
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Junger Hirte mit Tirolerhut (descriptive German title) Color aquatint and etching on wove paper, circa 1930.Stated edition of 100, but in light of ...
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after Paul CÉZANNE (1839-1906) Les Joueurs de Cartes (original French title) Aquatint and etching printed in color on Arches wove paper.Reference: ...
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Le Femme au Piano, d’après Marcel Gromaire (original French title) Color etching and aquatint on thick wove paper.References: Ginestet & Pouil...
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Color aquatint and etching on thick wove paper. Published by Alfred Bell & Co Ltd, 6 Old Bond Street, London. Edition unknown, but scarce. Sig...
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Droom der Aanbidden (original Dutch title) Etching and aquatint printed on thick tan wove paper.Two states, one without the background of the sun’s...
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Seigneur Prenez Pitié… (original French title) Aquatint printed in blue and warm-gray inks on wove BFK Rives paper, circa 1918. This plate was poss...
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Etching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
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Color aquatint on Arches wove paper.Reference: Ginestet & Pouillon 663.Edition of 200.In the late 1920's Villon etched a number of prints after...
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