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The Pond
HOUDARD, Charles
L’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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L’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
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Dans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
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Un Gueux (original French title) Etching and aquatint on laid paper. Reference: Tabanelli 10. On impression in black ink only. Impressions in color...
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Coin de rue, Quartier des Grandes Carrières (original French title) Etching and aquatint on laid Japan paper.Reference: Tabanelli 76. Artist's proo...
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"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
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La Place des Martyrs et la Taverne du Bagne (original French title) Etching and aquatint printed in two tones on tan wove paper.Reference: Bourcard...
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Le Hibou (original French title) Etching, aquatint, roulette, and drypoint on olive-greenish laid paper, 1893.Reference: Bourcard & Goodfriend ...
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Les Bergeries, Soleil Couchant (original French title) Etching and aquatint printed in warm brownish-black ink on simili-japon wove paper.Reference...
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Matinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
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Color aquatint and soft-ground etching on wove paper, 1900.Reference: Koehl E110.Edition of 50.Signed and numbered in pencil. Cléo de Mérode (1875-...
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Color aquatint on Arches wove paper.Reference: Ginestet & Pouillon 663.Edition of 200.In the late 1920's Villon etched a number of prints after...
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