Abstraction in Brown
YOSHIDA, Masao
Color aquatint and soft ground etching on Arches wove paper, 1963.This is likely printed using the Atelier 17 method of simultaneous color printing...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Color aquatint and soft ground etching on Arches wove paper, 1963.This is likely printed using the Atelier 17 method of simultaneous color printing...
View full detailsL’Aiglon (original French title) Simultaneous color printing aquatint on Arches wove paper, n.d.Edition of 120.Signed and numbered in pencil.
Color intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
View full detailsColor intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
View full detailsAu Bal (original French title) Aquatint on Pellet et Legrand wove paper.Reference: Exsteens 317 ; Arwas 431. Edition of 70. Published by Gustave P...
View full detailsDroom der Aanbidden (original Dutch title) Etching and aquatint printed on thick tan wove paper.Two states, one without the background of the sun’s...
View full detailsLa Femme au Rocking-Chair (original French title) Color aquatint, soft-ground, and etching on laid paper, 1900. Reference: Cate & Grivel 101, F...
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