The Windmill
ROUX-CHAMPION, Victor-Joseph
Le Moulin (descriptive French title) Color aquatint and etching on laid Arches paper.Edition unknown, certainly small, if any. We have never encou...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Le Moulin (descriptive French title) Color aquatint and etching on laid Arches paper.Edition unknown, certainly small, if any. We have never encou...
View full detailsLe Boulevard des Italiens, grande planche (original French title) Color aquatint and drypoint printed on thick wove paper.Reference: Delteil 96Edit...
View full detailsColor aquatint and etching printed on wove paper.Edition of 50.Signed and numbered in pencil.
Le Chef d’Oeuvre (original French title) Drypoint, aquatint and roulette printed in four colors, à la poupée (yet from two registered plates) on wo...
View full detailsLe Jardin des Tuileries (original French title) Color aquatint printed on Arches laid paper.Reference: Merill-Chase 48.Edition of circa 100.Signed ...
View full detailsAfter Alphonse OSBERT (1857 – 1939)Etched by René LORRAIN (1873 – after 1939) Soir Antique (original French title) Color aquatint on thick Arches ...
View full detailsColor aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
View full detailsL’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper.Reference: Novák 177. Edition of 100.Signed in pencil.
Le Grand-Prix de Paris (original French title) Color etching, aquatint, and drypoint printed on simili-japon paper, 1906.Ref: Delteil 74.Edition of...
View full detailsLa Femme au Rocking-Chair (original French title) Color aquatint, soft-ground, and etching on laid paper, 1900. Reference: Cate & Grivel 101, F...
View full detailsColor aquatint and drypoint on simili-Japan wove paper, 1913.No stated edition, but likely one of just a handful of impressions. All prints by this...
View full detailsEtching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
View full detailsColor aquatint on laid paper, circa 1907. Reference: Merrill Chase 27. Likely an edition of 100. Signed in crayon on the image, and numbered below ...
View full detailsLa Fête National de 30 Juin au Boulevard Clichy (original French title) Etching and aquatint printed in two tones on wove paper, 1878.Reference: Bo...
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