Cachoum
DORNY, Bertrand
Embossed color aquatint with a touch of drypoint printed on Arches wove paper. Edition of 25 or 4 artist's proofs (hard to decipher). Regulard edit...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Embossed color aquatint with a touch of drypoint printed on Arches wove paper. Edition of 25 or 4 artist's proofs (hard to decipher). Regulard edit...
View full detailsColor etching printed on thick wove paper. Edition unknown, probably small. Signed in pencil.
Les Corbeaux (original French title) Aquatint and soft-ground etching printed in color on thick wove paper.State proof, before the edition of 100.B...
View full detailsLa Patineuse (original French title) Color aquatint and soft-ground etching printed in color on thick wove paper. References: neither in the BN-IFF...
View full detailsLe Jardin Francais or Elegante a la Crinoline Rouge (original French titles) Color etching and aquatint printed on wove paper. Ref: not in BN-IFF. ...
View full detailsCoucher de Soleil sur la Lagune de Venise (descriptive French title) Color aquatint on wove paper, n.d.Edition of 50.Signed and numbered “tir à 50 ...
View full detailsLuz Do Dia (original Portugese title) Embossed color aquatint and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Publishe...
View full detailsQuatre Iles (original French title)Embossed color aquatint and linear scuffing on wove paper.Printed to the sheet edge, as usual.Trial proof, aside...
View full detailsColor viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.
La Coulée (original French title) Color aquatint and etching on laid paper.Ref: not in BN-IFF.Edition of 50, but like all of this artist’s prints, ...
View full detailsThe title seems to be a name, Deviah, Devish. The spelling is uncertain. Any insight would be welcome. Cut-out aquatint and soft-ground etching, ...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.3.Edition of 100. Signed, titled, and numbered in pencil. NOTE:...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.1.Edition of 100.Signed, titled, and numbered in pencil. NOTE: ...
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