Old Woman
CHAHINE, Edgar
Vieille Femme (original French title)Drypoint, etching, and aquatint on laid paper.Reference: Tabanelli 43. From the total edition of 40 in the sec...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Vieille Femme (original French title)Drypoint, etching, and aquatint on laid paper.Reference: Tabanelli 43. From the total edition of 40 in the sec...
View full detailsRamasseurs de Bouts de Cigares au Pont de Grenelle (original French title) Aquatint, soft-ground, and etching on laid paper.Reference: Morane 38. ...
View full detailsUne Matinée d’Hiver au Quai de l’Hôtel-Dieu (original French title) Etching, drypoint, and aquatint printed in black ink on thick wove paper, 1876...
View full detailsUn Conte de Noël (original French title) Color etching and aquatint on wove paper, no date. An artist’s proof. Edition unknown. Cautiously a man le...
View full detailsAlter Bauer mit Koteletten, Seitenansich (German title) Etching and aquatint on thick wove paper, no date. Edition unknown, but likely scarce. We h...
View full detailsRetour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
View full detailsAngélique à Sa Porte (original French title) Soft-ground etching, etching, and aquatint on laid paper. Reference: Morane 15.We present two states o...
View full detailsUn Gueux (original French title) Etching and aquatint on laid paper. Reference: Tabanelli 10. On impression in black ink only. Impressions in color...
View full detailsLa Femme au Rocking-Chair (original French title) Color aquatint, soft-ground, and etching on laid paper, 1900. Reference: Cate & Grivel 101, F...
View full detailsEtching and aquatint on wove paper. Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...
View full detailsEtching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
View full details"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
View full detailsCochons au Soleil (original French title) Drypoint (mostly with the burr shaved off), aquatint, roulette, and very probably touches of etching prin...
View full detailsMatinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
View full detailsLe Potin (original French title) Aquatint and drypoint on wove paper. Reference: Ginestet et Pouillon 96. Undescribed state proof, between the firs...
View full detailsPlease sign up for our newsletter
Email: info@armstrongfineart.com
Phone: 312-664-9312
1200 West 35th Street, #186
Chicago, IL 60609-1305
Copyright © 2024 Armstrong Fine Art.
Development by Alo Agency. Powered by Shopify