The Estacade
BEJOT, Eugene
L’Estacade (original French title) Etching and aquatint printed in four colors on japon paper.Refrence: BN-IFF 174.Edition unknown, scarce. Findin...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
L’Estacade (original French title) Etching and aquatint printed in four colors on japon paper.Refrence: BN-IFF 174.Edition unknown, scarce. Findin...
View full detailsColor aquatint printed on wove paper. Edition of 40. Published by Jacqueline de Champvallins, Paris. Signed and numbered "35/40" in pencil.
Les Corbeaux (original French title) Aquatint and soft-ground etching printed in color on thick wove paper.State proof, before the edition of 100.B...
View full detailsLes Anes (original French title) Color aquatint and soft-ground etching printed on thick wove paper.References: not in Addade, nor in BN-IFF.State ...
View full detailsThe La Rochelle Harbor (English title translation) After Paul SIGNAC (1863-1935).Colo aquatint printed on wove paper.Reference: Ginestet & Poui...
View full detailsColor etching and aquatint. Refs: DC 366; BN-IFF 5. Monogrammed in the plate. Signed in the lower right platemark in pencil. Annotated "L'heure du ...
View full detailsColor etching and aquatint. Signed and numbered "48/100" in pencil.
La Chaland (original French title) Aquatint and soft-ground etching. Also titled "La Peniche". Printed in color on laid paper. Refs: Addade pg. 4...
View full detailsGrenouilles (original French title) Color aquatint on chine paper, 1894.References: Stein and Karshan 36; Boyer and Cate 36.Artist’s proof aside fr...
View full detailsColor aquatint, spitbite (?) and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Published by Galerie Antarès, Paris, with...
View full detailsColor aquatint and etching on laid paper.Edition unknown.Signed and annotated “Epreuve d’artiste” in pencil. Very slight mat burn in the margins; u...
View full detailsRetour de la Pêche, la Nuit (original French title) Etching and aquatint on laid paper, 1890.Reference: Morane 16.From the edition stated at 50, bu...
View full detailsEtching and aquatint printed in color on wove paper.Edition of 135.Signed, titled and numbered in pencil.
Color aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
View full detailsEtching and aquatint printed in blue ink on simili-Japan paper.Edition unknown, but very likely small. This composition seems scarce. Signed and ti...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Aquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
Fenêtre d’Eté (original French title) Embossed color aquatint and drypoint on wove paper, 1983.Printed to the sheet edge, as usual.Artist’s proof. ...
View full detailsThe title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsLa Robe Bleue (original French titles) Color aquatint and etching on thick wove paper, 1909.Ref: BN-IFF 2-8; not in Addade.Stated edition of 200 (o...
View full detailsClematite (original French title) Embossed color aquatint and drypoint on wove paper.The “BAT” impression. The abbreviation stands for “Bon à tire...
View full detailsafter Paul CÉZANNE (1839-1906) Les Joueurs de Cartes (original French title) Aquatint and etching printed in color on Arches wove paper.Reference: ...
View full detailsColor aquatint, etching, and engraving printed on wove BFK Rives paper.Artist’s proof. No stated edition has been identified, and it is unlikely t...
View full detailsAquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
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