Corner Shadows
LEWIS, Martin
Drypoint & sand-ground on laid paper. Ref: McCarron 83. Edition of 242. Published by the Print Club of Cleveland. Signed in pencil. Pristine co...
View full detailsDrypoint & sand-ground on laid paper. Ref: McCarron 83. Edition of 242. Published by the Print Club of Cleveland. Signed in pencil. Pristine co...
View full detailsCathédrale Naturelle (original French title)Drypoint printed on wove paper, 1929.Reference: Czestochowski 10.Total edition of 37.Annotated in the p...
View full detailsLithograph on wove paper.Published by Associated American Artists.Edition of 125 or 250.Signed and titled in pencil. It has been suggested that the...
View full detailsColor woodcut on tan wove paper. Want to see more work by Nikki Barber?Visit our website dedicated to contemporary prints, Mesh Art Gallery.
This work is on hold for a client. Please email to check availability. Color intaglio and viscosity print on wove paper, February 1964.Edition of 1...
View full detailsThis work of art is presumably by an American woman active in the 1920s by the name of Marjorie TAYLOR. Because we have been unable to confirm the...
View full detailsEtching and aquatint printed in blue ink on simili-Japan paper.Edition unknown, but very likely small. This composition seems scarce. Signed and ti...
View full detailsColor etching and aquatint on simili-Japan paper. Edition unknown, but likely small. Signed and titled in pencil.
Woodcut on China paper. Published by the Woodcut Society (Kansas City), 1950. Edition of 200. Signed and titled in pencil. Image: 11 x 8 ⅜ inches. ...
View full detailsColor screenprint on wove paper.Edition of 15. Signed and editioned in pencil. Very fine impression in excellent condition.
Lithograph on wove paper. Reference: McIntyre and Kielsmeier p. 21. Edition of 30. Signed and numbered in pencil; with artist’s name dry stamped in...
View full detailsLithograph on wove paper.Edition of 20. Signed, titled, and annotated “20 imp.” in pencil. Very fine impression in pristine condition.
Wood engraving.Woodcut Society Publications.Signed in pencil.
Lithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended...
View full detailsLithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended f...
View full detailsWoodcut printed in black ink on thin laid Japanese paper, 1934 or 1935. From a series of 10 woodcuts titled A History of Illinois in Woodcuts. Edit...
View full detailsEtching printed in black ink on thin J Whatman laid paper.Reference: Fletcher 257. Edition of 100. From the Spanish Church series. Signed and dated...
View full detailsPen and ink and black crayon on J Whatman wove paper. Unique. This drawing was reproduced in Miranda and the Cat, a children’s book written by Lin...
View full detailsCollage on board, no date. Unique. Our title is made up. It’s what it evoked in us, but one should feel free to see something else in this whimsic...
View full detailsEtching printed in black ink on laid paper. Reference: McCarron 70Total edition 83. Signed in pencil, also signed in the plate, lower right. This ...
View full detailsWood engraving on laid japon volant paper, 1935. Edition unknown. Not very common. This is a quintessential image of American industrialization...
View full detailsColor aquatint on wove paper. Edition unknown, but certainly small, like all the artist’s work. A small paper tab (which we add), handwritten in th...
View full detailsColor aquatint on wove paper. Edition unknown, but certainly small, like all of the artist’s work.A small paper tab (which we add), handwritten in ...
View full detailsColor aquatint on wove paper.Edition unknown, but certainly small, like all the artist’s work. A small paper tab (which we add), handwritten in cur...
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