The Little Fisherman
BENTON, Thomas Hart
Lithograph printed in black ink on wove paper.Reference: Fath 80.Edition of 300, but rather scarce today.Published by Associated American Artists,...
View full detailsLithograph printed in black ink on wove paper.Reference: Fath 80.Edition of 300, but rather scarce today.Published by Associated American Artists,...
View full detailsAquatint and etching on wove paper. Edition of 100. Signed in pencil.
Silver-gelatin print, no date. Edition unknown. From a series of images titled Industrial Landscapes - Cleveland by the artist A very fine impr...
View full detailsLithograph printed in black ink on wove paper. Reference: Bassham 28. Edition unknown. Signed and titled in pencil. Also annotated in the center-...
View full detailsWoodcut printed on very thin Japan paper, no date. There is no stated edition, and this print may very well be a unique impression. Signed and ti...
View full detailsLithograph on white chine-collé on tan wove paper, no date. Edition of 25. An impression numbered over 25 exists.Signed and titled in pencil. It is...
View full detailsColor pencil on light gray wove paper, circa 1910. A young boy sits on Central Park’s rocks, picturing himself in some wild land. Were it not fo...
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
View full detailsColor aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
View full detailsColor aquatint printed on wove paper.Reference: Season, Myers & Windisch 231.Published by Associated American Artists (AAA), in an edition of 1...
View full detailsFour block woodcut, printed on 65 pieces of cutout chine-collé on wove paper, 2011.Edition of 200. Printed at the Robert Blackburn Printmaking Work...
View full detailsWoodcut printed in black and white and in color linocut on wove paper. Created in 1975. Printed in 2003. Published by The Print Club of Cleveland f...
View full detailsColor woodcut on thin laid paper.Artist’s proof. Edition unknown. Signed, titled, and annotated in pencil.
Lithograph on wove paperReference: Rose & Quiroz 78. Edition of 25. Signed, dated, and titled in pencil. Very fine impression in pristine condi...
View full detailsColor woodcut printed on Japan paper. Artist’s proof, (aside?) from the edition.Signed, titled, dated, and annotated “207/210 a/p” in pencil.
Intaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
View full detailsLithograph on thin wove paper, 1921. Reference: Mason 79.Printed by Bolton Brown, as is seemingly the case of the whole edition.Edition of 45, scar...
View full detailsLithograph on wove paper, 1945.No stated edition, and scarce. It isn’t clear that any editions were ever printed of any of the artist’s few lithogr...
View full detailsWoodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
View full detailsEtching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Also know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
View full detailsLithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
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