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Beach Scene
PINTO, Salvatore
Wood engraving on cream laid japon volant paper.Edition of 50.Signed and titled in pencil. Very think scattered foxing; barely noticeable.
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Wood engraving on cream laid japon volant paper.Edition of 50.Signed and titled in pencil. Very think scattered foxing; barely noticeable.
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Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
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Color woodcut on Japan paper. Possible edition of 100. Trimmed by the artist, to the image on three sides, and just below the pencil notations at t...
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Color woodcut on thin Japan paper. Edition unknown.Signed, dated, and annotated in pencil in the image. Trimmed just outside the image edge (fillet...
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Lithograph on wove paper, 1944.Reference: Rose & Quiroz 68.Edition of 30. Signed, dated, and titled in pencil.Very fine impression in pristine ...
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Intaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
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Wood engraving on tissue-thin paper.This is a proof impression by the artist, possibly one used for reproduction one of the illustrated books, or g...
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Wood engraving on chine-volant.State edition of 60, which seems unlikely given the rarity of this work.Signed, titled, and annotated in pencil. I...
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Wood engraving.Woodcut Society Publications.Signed in pencil.
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Color woodcut on thick off-white laid paper.References: This work is not listed in Bakker's 1989 and 1990 retrospective catalogs on the artist.Edit...
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Silver-gelatin print, no date. Edition unknown. From a series of images titled Industrial Landscapes - Cleveland by the artist A very fine impr...
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Wood engraving on laid japon volant paper, 1935. Edition unknown. Not very common. This is a quintessential image of American industrialization...
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Color aquatint on wove paper.Edition unknown, but certainly small, like all the artist’s work. A small paper tab (which we add), handwritten in cur...
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Etching on wove paper. Edition of 60. Part of a set of prints commissioned by the Sheffield Steel Corporation in 1937. Signed, numbered, and titl...
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Intaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
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Color aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
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Four block woodcut, printed on 65 pieces of cutout chine-collé on wove paper, 2011.Edition of 200. Printed at the Robert Blackburn Printmaking Work...
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Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
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Intaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
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Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
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Etching on wove paper, no date.Edition of 95.Signed and numbered in pencil.
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Color woodcut printed on thin laid Japanese paper, 1930.Edition of 100.Signed, titled, and numbered in pencil.
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Woodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
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