Brazilian Builders
ALLEN, James E.
Etching on cream-colored wove paper.Reference: Mary Ryan 59.Edition of circa 50.Signed in pencil
Etching on cream-colored wove paper.Reference: Mary Ryan 59.Edition of circa 50.Signed in pencil
Drypoint or etching on Japan wove paper.Edition of 100.Signed and initialed, titled, editioned, dedicated “To Revere Whistehuff”, and dated “June 1...
View full detailsColor woodcut on Japan paper. Possible edition of 100. Trimmed by the artist, to the image on three sides, and just below the pencil notations at t...
View full detailsWood engraving on tissue-thin paper.This is a proof impression by the artist, possibly one used for reproduction one of the illustrated books, or g...
View full detailsWood engraving on tissue-thin paper.This is a proof impression by the artist, possibly one used for reproduction one of the illustrated books, or g...
View full detailsWood engraving on chine-volant.State edition of 60, which seems unlikely given the rarity of this work.Signed, titled, and annotated in pencil. I...
View full detailsReference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
View full detailsLithograph printed on wove paper, no date.Edition of 50.Signed, titled, and annotated in pencil.Bearing the estate stamp on the verso.
Color woodcut on thick off-white laid paper.References: This work is not listed in Bakker's 1989 and 1990 retrospective catalogs on the artist.Edit...
View full detailsLithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended f...
View full detailsEtching printed in black ink on thin J Whatman laid paper.Reference: Fletcher 257. Edition of 100. From the Spanish Church series. Signed and dated...
View full detailsEtching printed in black ink on laid paper. Reference: McCarron 70Total edition 83. Signed in pencil, also signed in the plate, lower right. This ...
View full detailsWood engraving on laid japon volant paper, 1935. Edition unknown. Not very common. This is a quintessential image of American industrialization...
View full detailsWoodcut printed on very thin Japan paper, no date. There is no stated edition, and this print may very well be a unique impression. Signed and ti...
View full detailsLithograph on white chine-collé on tan wove paper, no date. Edition of 25. An impression numbered over 25 exists.Signed and titled in pencil. It is...
View full detailsLithograph on Montval laid paper, 1929.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. This composition has a particularly ...
View full detailsLithograph on Montval laid paper.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. Creative and elegant use of white-line scr...
View full detailsColor woodcut or woodblock print on Japan laid paper, no date. There seems to be no stated edition for this print. Likely from a small group of col...
View full detailsLithograph on thin wove paper, 1921. Reference: Mason 79.Printed by Bolton Brown, as is seemingly the case of the whole edition.Edition of 45, scar...
View full detailsEtching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Etching on wove paper, no date.Edition of 95.Signed and numbered in pencil.
Color woodcut printed on thin laid Japanese paper, 1930.Edition of 100.Signed, titled, and numbered in pencil.
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Lithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
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