American Artists

Etching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil.  A miracle of miniature printmak...

Graphite on wove paper.   Signed in pencil.Inscribed with the location. 

Etching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...

Pencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...

Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...

Hélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...

Wood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...

Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil. 

Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.

Also know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...

Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.  

Lithograph on Rives wove paper. NOTE: "Woman Knitting", or "Knitting". We have recently found out that an impression of this print can be found in ...

Lithograph on wove paper. Reference: Flint 217. Edition of 15.  Signed in pencil.   

Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20.  Signed in pencil.   

Etching, printed on laid paper.  Reference: Fletcher 248. From the French Church Series, plate 34.  Signed and dated, and annotated “II” in pencil.   

Mezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...

Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.

Intaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...

Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...

Color aquatint on silver-foil paper, circa 1975. Edition of 30.  The artist, who is typically referred to as SICA, exhibited her prints, which she ...

Screenprint, or silkscreen on reused advertisement board. This proof is printed on the blank back of an advertisement poster, cut in half by the ar...

Lithograph on Montval laid paper, 1929.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. This composition has a particularly ...

Color woodcut on very thin wove Japan paper. Ref: Mason & Mason 59.This composition is used as the back cover illustration for the Masons' book...

Color pencil on light gray wove paper, circa 1910.    A young boy sits on Central Park’s rocks, picturing himself in some wild land. Were it not fo...