Rhododendron
RIST, Luigi
Color woodcut printed on laid japan paper. Ref: Williams 10. Edition of 100 or 150; yet uncommon today.Signed in ink in the image. Titled in pencil...
View full detailsColor woodcut printed on laid japan paper. Ref: Williams 10. Edition of 100 or 150; yet uncommon today.Signed in ink in the image. Titled in pencil...
View full detailsLithograph on BFK Rives wove paper. Reference: Bryce 2. Intended edition of 35. Printed by George C. Miller, New York.The intended edition was thir...
View full detailsLithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
View full detailsLithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
View full detailsSimultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
View full detailsCut-out intaglio (engraving, other tools, aquatint) from multiple plates printed in two colors on wove paper. Artist’s proof. Edition unknown.Sign...
View full detailsEtching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
View full detailsGraphite on wove paper. Signed in pencil.Inscribed with the location.
Etching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
View full detailsLithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
View full detailsVery fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
View full detailsPencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsHélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsWoodcut on thin Japan paper. Edition unknown, but likely one of a handful of impressions only. Aside from a couple of published prints, most woodcu...
View full detailsWood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Lithograph on wove paper, 1940. Reference: Rose &Quiroz 58. Edition of 35. Prentiss Taylor was an active member of the multidisciplinary art mo...
View full detailsAlso know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
View full detailsLithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Lithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
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