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Prostitution
LEGRAND, Louis
Etching, aquatint and drypoint on simili-japon paper.References: Exsteens 25; Arwas 39.Edition unknown, likely of circa 50.Published by Gustave Pel...
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Etching, aquatint and drypoint on simili-japon paper.References: Exsteens 25; Arwas 39.Edition unknown, likely of circa 50.Published by Gustave Pel...
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Color aquatint and etching on wove paper. Edition of 30. While this is the edition stated by the artist it looks unlikely that it was printed in fu...
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Etching printed over an additional tone plate on wove paper. References: Guiffrey 73; BN-IFF 136. Corners torn off, and with a few tears in the sh...
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Polichinelle (original French title) Color lithograph on thick wove paper.References: Moreau-Nélaton 87; Guérin 79 IIIb/IIIb; Harris 80 IIIb/IVb. P...
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Lithograph printed in 12 colors on smooth wove paper.Reference: Fields page 77.Plate 3 from the series “Payages Parisiens”.Printed & published ...
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Querelle d’Amoureux (original French title) Etching and drypoint printed on laid paper.Reference: Wentworth 18.Edition of 50 total, 25 for the Ten ...
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Color pochoir (with some metallic inks) on thick brown wove paper. Edition of 100. Printed to the sheet edge. Overall in very good condition, aside...
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Lithograph printed on smooth wove paper. Reference: not in Vallotton & Goerg. From a small edition, printed aside from the "Nib" edition (suppl...
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Konijn en Duif (original Dutch title) Woodcuts on wove paper, mounted in the top corner onto another sheet, circa 1920. Edition unknown, but like...
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Intaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
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Pluie et Parapluie (original French title) Etching, possibly with touches of drypoint, printed on laid paper (partial watermark suggesting Arches),...
View full detailsPluie et Vent à Pedro Leopold (original French title) Embossed color drypoint and aquatint on wove paper.Printed to the sheet edge, as usual.Editio...
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Drypoint printed in greenish black ink on wove.Reference: McCarron 75.Edition is of 100.One of only a few impressions printed in greenish-black ink...
View full detailsEtching on thin laid paper. Signed, titled and dedicated “Jo S.H. Mori – with appreciation” in pencil. The faintest discoloration inside the mat w...
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Etching, soft-ground, and aquatint on laid paper. Stated edition of 100, which seams unlikely to have been printed. We have yet to find another imp...
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Color lithograph on BFK Rives wove paper.Printed to the sheet’s deckled edge. Trial proof, aside from the edition. Edition unknown. Signed, titled,...
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Lire dans Le Figaro le nouveau roman d’Abel Hermant - Confession d’un Homme d’aujourd’hui (original French title) Color lithograph, poster, printed...
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Faucheuse de Dos (descriptive French title) Printed on chine-collé on thick wove paper.Monogrammed in the image.A scarce, early print by the Belgia...
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Reconstruction du Pont Notre-Dame, Mai 1911 (original French title) Etching printed in brown ink on simili-japon pape.Edition of 50.Signed and numb...
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Lithograph on thin wove paper, 1921. Reference: Mason 79.Printed by Bolton Brown, as is seemingly the case of the whole edition.Edition of 45, scar...
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Roseaux et Salicaire, Osmonde, etc (original French title) Etching on chine-collé on thick wove paper.References: Beraldi 174, BN-IFF 146.First pla...
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Color woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
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