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Lugné-Poé, dans "Image"
TOULOUSE-LAUTREC, Henri de
Lithograph printed in black ink on wove paper. References: Delteil 57; Wittrock 49.Edition of 30. Distributed by Kleinmann, Paris. About half of th...
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Lithograph printed in black ink on wove paper. References: Delteil 57; Wittrock 49.Edition of 30. Distributed by Kleinmann, Paris. About half of th...
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Berceuse (original French title)Lithograph in black on smooth wove paper, 1895.References: Delteil 141; Adriani 157; Wittrock 136.First state, befo...
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Intaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
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Jardin du Luxembourg (original French title) Color etching and aquatint on laid paper. Ref: Goldschmidt 25. Edition of 50. Published by Charles H...
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Color lithograph printed on thin wove paper. References: Bouvet 69, Johnson 10-11.Edition of 100.From the artist’s famous series Quelques Aspects d...
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Etching on wove paper. Reference: Sylvain Laboureur 91. One of 21 impressions of an edition planned at 40, but which was never printed in full. Thi...
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Drypoint and direct bite on laid paper, 1900. Reference: Tabanelli 47. Second state of two.Total edition of 40 on a variety of papers, according to...
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Color lithograph on BFK Rives wove paper.References: Maeght 1024; related to Vallier 101 ("Le Nid", etching and drypoint from 1955). This lithograp...
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Etching printed in brownish-black ink on tan Arches laid paper. Reference: BnF IFF volume VI, page 167, mentioned as missing from the Bibliothèques...
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Printed on D & C Blauw laid paper, 1879. References: Clement-Janin 23; BN-IFF 15.20. Edition of c. 20. Signed in the bottom right in pencil.
Tête de Maquereau sur un Plat (original French title) Monotype on beige chine paper. Reference: related to Plumart G 66. Unique. Signed and dated i...
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Drypoint etching on laid paper.Refs: Grandgérard 68; BnF IFF 8.Pencil signed and inscribed third state, 1/1 with the artist's monogram in red ink a...
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Etching on laid paper.Reference: Delteil 16.Signed in pencil.
Etching and aquatint printed on Hahnemühle Copperplate Bright White wove paper.Edition of 120, published by the Madison Print Club.There were a fur...
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Drypoint or etching on Japan wove paper.Edition of 100.Signed and initialed, titled, editioned, dedicated “To Revere Whistehuff”, and dated “June 1...
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Color aquatint and etching on laid paper.Edition unknown.Signed and annotated “Epreuve d’artiste” in pencil. Very slight mat burn in the margins; u...
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Woodcut printed in black and white and in color linocut on wove paper. Created in 1975. Printed in 2003. Published by The Print Club of Cleveland f...
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Ramasseurs de Bouts de Cigares au Pont de Grenelle (original French title) Aquatint, soft-ground, and etching on laid paper.Reference: Morane 38. ...
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Woodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
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Etching and aquatint in olive-green ink on Rives wove paper, 1904. Reference: Ginestet & Pouillon 111. Signed and numbered "20/50" in pencil.
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Two katazome stencil prints on Japan paper.Edition unknown. Likely created for the Anglo-Saxon market, or for a foreign company based in Japan.Not...
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Ref: BN-IFF pg. 155. Published by L'Art Decoratif, Oct. 1905. Printed by Louis Fort. Signed in the plate.
Mario AVATI (Franco-Italian, 1921-2009): "Still Life with the Shy Leaf" / "Nature Morte a la Feuille Timide" (original French title). Mezzotint on ...
View full detailsBertha JAQUES (1863-1941) Market Place Assuan - Egypt Etching on late paper with warm plate tone. Assuan is the old spelling Aswan. Signed in p...
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