Products

Printed on Arches wove paper. Artist's proof, aside from the edition. Published by Galerie Alfred Daber. Printed by Mourlot. Signed and annotate "e...

Ref: Laran 357; BN-IFF 357. Printed on Eugene Bejot laid paper. Signed in pencil inside the platemark.

Etching, drypoint, aquatint, roulette, printed in two tones, from two plates, on wove japon paper, 1886-1890. Reference: Bourcard & Goodfriend ...

Color woodcut on japon pelure. Reference: BN-IFF 2. Published by L’Art et l'Affiche, Paris. With letters.  A diagonal crease in the upper right ima...

Etching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...

Aquatint and drypoint on simili-Japan paper. Refs: Exsteens 248; Arwas 359.  Edition of 100. From the album, “Le Petite Classe”.  Numbered “25/100...

Painted on wove paper. Signed, located and dated "Aožt 04" in blue ink. A few small paper losses, mostly in the corners (see reproduction). Still i...

Color lithograph on chine volant paper, 1917. Signed in blue pencil by the artist.

Etching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...

Color woodcut on wove paper, 1920.Reference: BN-IFF 32.Plate 14 from the series of 16 woodcuts, titled Vues de Paris, published by L. Rouart.Editio...

Color lithograph on chine, mounted in four corners to wove paper.Ref: Bibliothèque Nationale - IFF 27.Total edition of 60, of which 20 with remarqu...

Ink and pencil on thick wove paper. A preparatory drawing (numbered "36" in blue crayon) for an unidentified publication. Monogrammed in ink in the...

Etching, aquatint and drypoint printed in blue ink, with hand colored highlights, c. 1895. References: Exsteens 102, Arwas 118 (ill. p. 125). Aside...

Etching and aquatint printed in brown-black ink on tan wove paper. Reference: Bourcard & Goodfriend 163 iii/iii.  Printed in warm black ink, ev...

Printed on Arches laid paper. Edition of 100. Published by "L'Estampe" (a society of 100 print collectors), with their drystamp (Lugt supp. 816b). ...

Woodcut on laid japan paper. Edition of 50, but scarce, as are all of Quillivic's prints. Signed and numbered in pencil. 

Woodcut printed on wove Japan paper, 1899. Reference: Sylvain Laboureur 602. Edition of 60. Ten impressions were printed in 1899, and the remainde...

Printed in color on laid Arches paper.Reference: BN-IFF 11-1.Edition unknown; presumably circa 50.This one state proof.Signed, titled and annotated...

References: Bouvet 30; Roger-Marx 32.Published by "La Revue Blanche", printed by Edward Ancourt.Printed in four colors.

Color drypoint and aquatint on simili-japon paper.Reference: Delteil 17.One of 100 impressions of the only edition in the fourth, and final state. ...

Etching on laid paper, circa 1905-1910.  Reference: not in BN-IFF. Stated edition of 30. Son of Tony Beltrand, who died very young. The work is ext...

Wood engraving on chine volant, 1888. Ref : Lotz-Brissonneau 146 iii/iii. Projected edition of 100; printed in an edition of 50 only, according to ...

Place de l'église St Pierre à Montmartre (alternate title) Color aquatint and soft-ground etching on laid japon paper. Reference: listed as missing...

Printed in two tones on similil-japon paper. Reference: Stein & Karshan 71. Edition of 100. Published in the 9th album of "L'Estampe Originale"...