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Forme Crystal
WITEBSKY, Shirley
Intaglio, probably aquatint, as well as some direct etching and engraving, printed in color through simultaneous color printing (a.k.a. color visco...
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Intaglio, probably aquatint, as well as some direct etching and engraving, printed in color through simultaneous color printing (a.k.a. color visco...
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Quatre Iles (original French title)Embossed color aquatint and linear scuffing on wove paper.Printed to the sheet edge, as usual.Trial proof, aside...
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Grenouilles (original French title) Color aquatint on chine paper, 1894.References: Stein and Karshan 36; Boyer and Cate 36.Artist’s proof aside fr...
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Color mezzotint on Arches wove paper.Edition of 75.Signed, titled, dated, and numbered in pencil.
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Lithograph printed in four tones on thick wove paper, 1888-1902. Reference: Fields page 77-78. Plate 1 from the series titled Les Trente-Six Vues d...
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Essai de Frontispice pour « l’Eloge de la Folie » (original French title) Aquatint and etching on simili-japon paper, circa 1896.Reference: Rouir 6...
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Frontispice pour Les Zigzags d’un Curieux (original French title) Etching and drypoint, on simili-japon paper. Refs: Bourcard/Goodfriend 172 iii/v...
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Color woodcut on thin wove paper. Edition of 200. Despite the large edition, this work, as most of Pirkhoff's seems rather scarce. Much of it may h...
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Wood engraving on very thin Japan wove paper, no date. No stated edition. Seemingly scarce. An atmospheric impression, with the figure speaking his...
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"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
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Rennende Paarden or Twee Ruiters (original Dutch titles) Woodcut on laid paper. No stated edition, but quite scarce, as are most of Rinsema’s woodc...
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Cut-out intaglio (engraving, other tools, aquatint) from multiple plates printed in two colors on wove paper. Artist’s proof. Edition unknown.Sign...
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Gazelle et Biches I (original French title) Engraving on Monval verdâtre paper.Reference: Tonneau-Ryckelynck & Plumart 211. The printmaker’s pe...
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Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
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Drypoint. Ref: Tabanelli 293. Second state of two. Edition of 50. Signed and numbered "ep 3/50" in pencil. With drystamp of Sagot (Lugt 2254).
Color woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
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Lithograph on laid paper.Reference: logbook 200.Edition of 20.Signed in pencil. This is unequivocally one of the artist’s very best prints. The vi...
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Woodblock print (color woodcut) printed on Japan wove paper. Bearing the artist’s red seal in the image as well.
Fille et Souteneur (original French title) Ink drawing with watercolor highlights.An endearing composition, of a seemingly reluctant couple, facing...
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Donnez Votre Or, c’est du blé pour la France Gouache and pencil on thin board, circa 1914.Preparatory drawing for a WWI effort support poster.Appar...
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Geiten (original Dutch title) Woodcut on wove paper.As published in the loose-sheet portfolio titled 15 Houtsneden door Victor Delhez.From a state...
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Arbeitszimmer im Goethehaus, Weimar (descriptive German title) Color woodcut on laid Japan paper, circa 1913.Reference: Staatliche Kunstsammelung D...
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La Traversée (original French title) Etching, aquatint, roulette, and drypoint on wove paper, circa 1879-1885. Reference: Bourcard & Goodfriend...
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Woodblock print on cream colored Japan paper.Published by Sakai and Kawaguchi.Bearing the artist’s seal. Seal of the carver Ito, and printer Komats...
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