L'Equipage
JACQUE, Charles
Etching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
View full detailsEtching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
View full detailsColor etching and aquatint. Refs: DC 366; BN-IFF 5. Monogrammed in the plate. Signed in the lower right platemark in pencil. Annotated "L'heure du ...
View full detailsEtching, drypoint and roulette printed on laid Arches paper, after a painting by John Constable, 1879. Ref: Bourcard & Goodfriend 145 iv/vii. A...
View full detailsColor etching and aquatint. Signed and numbered "48/100" in pencil.
Etching on smooth wove paper (simili-japon or simili-parchment). With letters. Publisher unknown. Edition unknown, but scarce.Provenance: Sagot-Le ...
View full detailsEtching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
View full detailsEtching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
View full detailsEtching on laid paper, circa 1905-1910. Reference: not in BN-IFF. Stated edition of 30. Son of Tony Beltrand, who died very young. The work is ext...
View full detailsPlace de l'église St Pierre à Montmartre (alternate title) Color aquatint and soft-ground etching on laid japon paper. Reference: listed as missing...
View full detailsEtching and aquatint on laid paper. References: Godefroy/Delteil 15 iv/vi, Coppier 12.Before the plate was cut down laterally by almost two inches....
View full detailsEtching with engraving on laid J Kool watermarked paper. References: Schneiderman 23 v/x; Delteil-Wright 28 v/x. Superb impression, before letters...
View full detailsEtching on laid paper. Reference: Delteil 14 ii/ii. Superb impression of Millet's rarest, and arguably best etching. Large margins (tips of two co...
View full detailsLabor or Le Paysan à la Houe (original titles) Etching on parchment (also known as vellum).References: Beraldi 345; BN-IFF 390.After a composition ...
View full detailsPaysage en Toscane (original French title) Etching on laid paper, no date.Reference: Bertin 542.Signed in pencil, and bearing the artist’s red mono...
View full detailsMonotyped etching or drypoint, reworked in ink on laid paper.Reference: not in BN-IIF, which seems to have very little of Gabriel's etched oeuvre.U...
View full detailsEtching on chine-collé on white wove paper. Reference: Van Gelder 107 only state. As published in Revue Fantaisiste, September 1861. Faint foxing i...
View full detailsEtching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
View full detailsEtching on laid paper. Reference: Malassis et Thibaudeau 223 ii/v. One of 6 in this state, according to the Bliss Collection catalog. But also anno...
View full detailsEtching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
View full detailsEtching on wove paper. Reference: Delteil 241 ix/ix. Signed in pencil.
Etching and drypoint on simili-japon wove paper.References: Béraldi 796; BN-IFF 420.From the series titled Six Fables de La Fontaine.After a gouach...
View full detailsAquatint and etching on wove paper. Edition unknown. Signed and titled in pencil. Very fine impression in near perfect condition, aside from the fa...
View full detailsEtching on laid japon paper. Reference: Malassis et Thibaudeau 182 ii/xiv (?). Very rare according to the Bliss catalog (an impression of this sta...
View full detailsEtching and drypoint on laid paper. Reference: Bliss 356 iii/viii. Signed in pencil. Fine impression, one of 6 of this state, and of only 26 impr...
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