Calvi, Corsica
HOOVER, Ellison
Lithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
View full detailsLithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
View full detailsGraphite, conté crayon, and ink wash on wove notary ledger paper.Signed with an "R. Verdun" stamp (not in Lugt, and not the atelier sale stamp that...
View full detailsColor lithograph on smooth wove paper, 1900.Reference: Levasseur & Le Bohec lith. 18.Print from the series titled "Paysages Parisiens".Publishe...
View full detailsEtching on laid paper. Ref: Béraldi 223 iii/iv. Third state of four, before some darker clouds were added in the sky and some touch ups throughout ...
View full detailsStella Matutina (original Latin title) Lithograph printed in two tones on chine collé on wove paper.Reference: BN-IFF 2.Plate 3 for the set of 9 co...
View full detailsPromenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900.Edition of 50. This print has become qui...
View full detailsEtching on thin laid paper.Reference: BN-IFF 55. Plate from a set of prints titled Croquis hollandais et autres, published by Cadart that same year...
View full detailsLithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
La Femme de l’Eclusier or L’Eclusière (original French titles) Color woodcut on thin simili-japon paper, 1901.Refs: not in BN-IFF; Addade p. 53.Edi...
View full detailsVery fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
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