
8:30 Express
CALAPAI, Letterio
Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsWoodblock print, color woodcut, printed on Japan wove paper, circa 1950-60. Bearing the artist’s red seal and stamped “Kiyochi Saito” in black ink ...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper,Reference: Novák 192. Edition of 200. Signed and numbered in pencil,...
View full detailsEtching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
View full detailsLithograph on white wove paper (sur blanc).Reference: Delteil 595 ii/iii.From the first edition, when the series was issued by La Caricature, and t...
View full detailsLithograph printed in 12 colors on smooth wove paper.Reference: Field pg 77.Plate 5 from the series of 8 lithographs titled Paysages Parisiens.Prin...
View full detailsLa Fête National de 30 Juin au Boulevard Clichy (original French title) Etching and aquatint printed in two tones on wove paper, 1878.Reference: Bo...
View full detailsAquatint and etching on thick wove paper. Published by “Pan”. This impression without the letters. Likely an impression for a deluxe edition. The ...
View full detailsVieille Mendiante a l'Eglise (original French title) Soft-ground etching and drypoint printed in two tones on laid paper. Reference: Tabanelli 53 ...
View full detailsColor aquatint, etching, and engraving printed on wove BFK Rives paper.Artist’s proof. No stated edition has been identified, and it is unlikely t...
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