Norman Bay
PHILLIPS, Walter J.
Color woodcut on thin paper.Edition of 50. Colors vary in each impression, sometimes only a little, sometimes a lot. In our biased opinion, this ...
View full detailsColor woodcut on thin paper.Edition of 50. Colors vary in each impression, sometimes only a little, sometimes a lot. In our biased opinion, this ...
View full detailsAquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
View full detailsSur les Berges de la Seine. (french title)Watercolor on thick wove paper.Signed “Eug Delâtre” and dated “31 août 95” in black pencil.
Woodcut on cream wove paper.Artist's proof aside from edition.Signed, titled, dated and annotated "207/210 a/p" in pencil.
Lithograph printed in 12 colors on smooth wove paper.Reference: Fields page 77.Plate 3 from the series “Payages Parisiens”.Printed & published ...
View full detailsColor woodcut on thin laid paper.Artist’s proof. Edition unknown. Signed, titled, and annotated in pencil.
Woodblock print (color woodcut) printed on Japan laid paper, 1907. There was likely no edition; very scarce. Likely just one of a handful of impre...
View full detailsSaint Christophe Portant l’Enfant Jésus (descriptive French title) Color woodcut on laid chine paper.Reference: not in BN-IFF.Initialed in the bloc...
View full detailsLithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Woodcut on cream wove paper.Artist's proof aside from edition.Signed, titled and annotated "a/p" in pencil.
Slaper (original Dutch title) Woodcut printed in black in on thin laid paper, no date. Edition unknown but very likely small, if any. Signed and t...
View full detailsLithograph printed in bistre and with the first sky variant in black, printed on chine mounted on wove paper. Plate 4 with the snake remarque (FR: ...
View full detailsColor woodcut on tan wove paper. Want to see more work by Nikki Barber?Visit our website dedicated to contemporary prints, Mesh Art Gallery.
Color aquatint and etching on laid Van Gelder Zonen paper.Ref: not in BN-IFF. Edition unknown. A lovely and moody moonlit nighttime rendition of a ...
View full detailsColor mezzotint on wove paper.Edition unknown, but very likely small.Signed and titled in pencil. This lovely color mezzotint was almost certainly ...
View full detailsColor woodcut on thick off-white laid paper.References: This work is not listed in Bakker's 1989 and 1990 retrospective catalogs on the artist.Edit...
View full detailsLithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Woodcut on thin Japan, mounted by four corners onto wove paper. Edition of 50. Signed, titled and numbered in pencil.
Henri DELAVALEE (1862-1943) La Tour Eiffel la Nuit (original French title) Soft-ground etching and aquatint on simili-japon paper. Reference: Moran...
View full detailsLe Pecheur (original French title) Color aquatint printed on Arches laid paper.Reference: Merill Chase 68. Edition of circa 100, according to Meri...
View full detailsLithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended...
View full detailsWoodcut on China paper. Published by the Woodcut Society (Kansas City), 1950. Edition of 200. Signed and titled in pencil. Image: 11 x 8 ⅜ inches. ...
View full detailsLe Quai Vert (original French title) Color aquatint on laid Arches paper, 1904.Edition of 40.Published by Georges Petit, with his blindstamp (Lugt ...
View full detailsL’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
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