Paul Sérusier
REDON, Odilon
Lithograph printed on chine.Reference: Mellerio 193.A printer's proof, from the transfer lithograph made by Auguste Clot, after the original.There ...
View full detailsLithograph printed on chine.Reference: Mellerio 193.A printer's proof, from the transfer lithograph made by Auguste Clot, after the original.There ...
View full detailsLithograph on wove paper.Published by Associated American Artists.Edition of 125 or 250.Signed and titled in pencil. It has been suggested that the...
View full detailsLithograph on wove paper.Edition unknown, but certainly of less than 50.Titled and signed in pencil.Very fine impression in pristine condition.
Reconstruction du Pont Notre-Dame, Mai 1911 (original French title) Etching printed in brown ink on simili-japon pape.Edition of 50.Signed and numb...
View full detailsEtching on laid paper.Reference: Fletcher 195. From the French Church Series, plate 15.Printed in 1927 by Frederick Reynolds.Signed and dated in pe...
View full detailsEtching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Lithograph printed on wove paper. Reference: Season, Myers & Windisch 2577.Published by Associated American Artists (AAA), in an edition of 250...
View full detailsSüdliches (original German title) Color aquatint and etching on wove paper.Edition of 50.Signed, titled and numbered in pencil.
Lithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Etching on simili-Japan wove paper. Artist’s proof. Edition unknown, but very likely small, if any was printed at all.Signed and annotated in Frenc...
View full detailsLithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Zum Träumen (original German title) Color aquatint and etching on wove paper.Edition of 50.Signed, titled and numbered in pencil.
Drypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Etching on wove paper. Reference: Fletcher 65. Artist’s proof from the tenth and final state, aside from the edition. Signed in pencil and annotate...
View full detailsLynd WARD (1905-1985) Undercliff Wood engraving on thin white wove paper, 1948. Edition of 200, published by The Woodcut Society, New York. In orig...
View full detailsEtching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
View full detailsGraphite drawing on paper, mounted on thin board, circa 1920-30. An elaborately detailed and large drawing by an artist who remains surprisingly un...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
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