Abstract #1
FULWIDER, Edwin
Color screenprint on wove paper. Reference: McIntyre and Kielsmeier. Edition of 30. Signed and numbered in pencil. Very fine impression in pristine...
View full detailsColor screenprint on wove paper. Reference: McIntyre and Kielsmeier. Edition of 30. Signed and numbered in pencil. Very fine impression in pristine...
View full detailsColor screenprint and lithograph in black ink on wove paper. Reference: McIntyre and Kielsmeier p. 47. Edition of 25. Signed and numbered in pencil...
View full detailsThe title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsAquatint and sugarlift aquatint on wove paper.Edition of 50.Signed, titled, dated and numbered in pencil. Want to see more work by Christian Bozo...
View full detailsColor intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
View full detailsColor aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
View full detailsColor screenprint on wove paper. Edition of 15. Titled, editioned and signed in pencil. Very fine impression with fresh colors in excellent conditi...
View full detailsCosmogonie (original French title) Woodcut on wove paper.As published in the loose-sheet portfolio titled 15 Houtsneden door Victor Delhez.From a s...
View full detailsMezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
View full detailsDéplacement (original French title) Aquatint printed black ink on BFK Rives wove paper, with a silver background tint, 1975. Edition of 100. Publis...
View full detailsColor viscosity intaglio on Arches wove paper.Stated edition of 10, but according to the artist likely not printed in full.Printed while the artist...
View full detailsColor woodcut on Japan paper.Reference: Maki 1330.Edition of 50.Signed, titled, and numbered in pencil, and also bearing a seal in the image.The si...
View full detailsColor screenprint on wove paper.Edition of 15. Signed and editioned in pencil. Very fine impression in excellent condition.
Color woodcut (woodblock print) on thin wove Japan paper, 1966. Edition of 20. Scarce. An amazing expressionist Sōsaku-hanga (meaning: creative pri...
View full detailsIntaglio, probably aquatint, as well as some direct etching and engraving, printed in color through simultaneous color printing (a.k.a. color visco...
View full detailsCut-out intaglio (engraving, other tools, aquatint) from multiple plates printed in two colors on wove paper. Artist’s proof. Edition unknown.Sign...
View full detailsColor woodcut printed on Japan paper. Artist’s proof, (aside?) from the edition.Signed, titled, dated, and annotated “207/210 a/p” in pencil.
Watercolor and ink on wove paper, no date. Unique. A vibrant rendition of the Grand Canyon in its full glory with sunlight piercing through the sky...
View full detailsColor viscosity intaglio print on wove Arches paper.Artist’s proof. No stated edition has been identified, and the three other impressions found a...
View full detailsFamille Japonaise or Family (original titles)Engraving, soft-ground etching and scorper, printed in color using stencils on thick wove paper, 1955....
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
View full detailsCut-out and embossed color aquatint on Arches wove paper. Reference: Arnaud 585.Edition of 150, published by the “Société des Peintres-Graveurs Fra...
View full detailsAquatint and soft-ground etching printed in simultaneous color printing (color viscosity) on Arches wove paper.Proof impression, aside from the edi...
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