Brumes du Matin
BRACQUEMOND, Felix
Etching, drypoint, and aquatint on thin laid MBM paper. Reference: Beraldi 779 iv/v. From the series titled "Six eaux fortes", published in 1887. S...
View full detailsEtching, drypoint, and aquatint on thin laid MBM paper. Reference: Beraldi 779 iv/v. From the series titled "Six eaux fortes", published in 1887. S...
View full detailsLithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
View full detailsColor pencil on light gray wove paper, circa 1910. Mothers or nannies daydream as children, mostly absent from the composition, sail toy boats o...
View full detailsGraphite, conté crayon, and ink wash on wove notary ledger paper.Signed with an "R. Verdun" stamp (not in Lugt, and not the atelier sale stamp that...
View full detailsLes Usines sous la Neige (original French title) Color drypoint and aquatint on simili-japon paper.Reference: Delteil 89. Second state of two. E...
View full detailsColor woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
Lithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
View full detailsEtching, drypoint and roulette printed on laid Arches paper, after a painting by John Constable, 1879. Ref: Bourcard & Goodfriend 145 iv/vii. A...
View full detailsLithograph on Rives wove paper. Reference: Rose & Quiroz 27. Edition of 20. Titled, editioned, signed and dated “April 1933” in pencil. Very fi...
View full detailsLithograph on wove paper, 1945.No stated edition, and scarce. It isn’t clear that any editions were ever printed of any of the artist’s few lithogr...
View full detailsWood engraving on tissue-thin paper.This is a proof impression by the artist, possibly one used for reproduction one of the illustrated books, or g...
View full detailsAquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsEtching on simili-japon paper. Reference: Campbell Dodgson 55. Edition unknown, but certainly not very large. It has become very scarce and rarely ...
View full detailsLithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Rue Vue d'En Haut (original French title) References: Roger-Marx 60; Bouvet 62.Edition of 100.Published by Ambroise Vollard, for the series "Quelqu...
View full detailsAquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsLithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Le Grand-Prix de Paris (original French title) Color etching, aquatint, and drypoint printed on simili-japon paper, 1906.Ref: Delteil 74.Edition of...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
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