Dentu Dinner, second invitation
GUERARD, Henri
Diner Dentu, deuxième invitation (original French title) Etching and roulette printed in black ink on a variety of papers.Reference: Bertin 384. - ...
View full detailsDiner Dentu, deuxième invitation (original French title) Etching and roulette printed in black ink on a variety of papers.Reference: Bertin 384. - ...
View full detailsThe title seems to be a name, Deviah, Devish. The spelling is uncertain. Any insight would be welcome. Cut-out aquatint and soft-ground etching, ...
View full detailsEtching and false biting on laid paper.Reference: BN-IFF mentions that it is missing from the collection, volume IV, page 217.First impression of t...
View full detailsAigrette (original French title) Pure-line engraving printed on chine-collé.Edition of 80. Signed, titled, and dated in pencil. Very small scrape...
View full detailsDrawing in conté-crayon, pencil, on thick card stock.Likely a project for a poster or an advertisement, for a famous venue in Paris. El Garron, whi...
View full detailsMonotype on wove paper, 1953 (?).Unique work. While the artist is known to have made such monotypes from the mid-1970s to the mid-80’s it’s unclea...
View full detailsColor aquatint, spitbite (?) and drypoint on wove paper.Printed to the sheet edge, as usual.Edition of 70.Published by Galerie Antarès, Paris, with...
View full detailsEntrée du Couvent des Capucins Français à Athènes (original French title) Etching printed on laid paper, 1854.References: Delteil 61, Schneiderman ...
View full detailsEtching on laid japon paper.References: Jennings 52, Curtis & Prouté 56 i/ii, Jennings 52, BN-IFF page 150.First state, before letters publishe...
View full detailsWoodcut printed in black with lithographic transfer in yellow and orange on wove paper.Ref: Sylvain Laboureur 617. Total edition of 22. Signed in a...
View full detailsPencil on wove paper, affixed in four corners onto another sheet.We have not been able to ascertain whether this was a study after a master or an o...
View full detailsFemme Nue Assise or Eve (descriptive French titles) Color etching and aquatint printed from four plates on Arches wove paper.We are presenting a gr...
View full detailsInk and pencil on card stockRef: unidentified in Sylvain Laboureur.Unique. This design, which the artist seemingly intended to use for his own book...
View full detailsEx-Libris pour l'Ensorcelée (original French title) Etching printed in black on thin laid paper.Reference: Bourcard & Goodfriend 116.Third and ...
View full detailsTête de femme, de face, portant une main à son oreille (original descriptive French title) Lithograph on Arches wove paper, 1927.References: Adhéma...
View full detailsLes Usines sous la Neige (original French title) Color drypoint and aquatint on simili-japon paper.Reference: Delteil 89. Second state of two. E...
View full detailsEtching and aquatint on laid Arches paper. References: Beraldi 35; BN-IFF 79.The Bibliothèque Nationale mentions the existence of two states. Scar...
View full detailsAu Saut du Lit (original French title) Etching printed in five colors on simili-Japon paper.Reference : Delteil 48. Edition of 60, but very scarce....
View full detailsPanier de Fleurs (original French title) Color drypoint on Vidalon watermarked laid paper.Signed and numbered "1/2" in pencil.It is unclear whethe...
View full detailsOiseau Fleur (original French title) Color aquatint and etching on thick wove paper.This is likely a simultaneous color print (color viscosity prin...
View full detailsFleurs (original French title) Drypoint on laid paper.Reference : Stein & Karshan 21. From the only edition of 100, published by L’Estampe Orig...
View full detailsPour un Projet Sensationnel or Le Secret (original French title) Drypoint on Arches laid paper. Reference: Ginestet et Pouillon E106. Artist’s proo...
View full detailsAvenue du Bois or Avenue Bois de Boulogne (original French titles)Lithograph on thin wove paper.References: Roger-Marx 59; Bouvet 57. Edition of 10...
View full detailsGrenouilles (original French title) Color aquatint on chine paper, 1894.References: Stein and Karshan 36; Boyer and Cate 36.Artist’s proof aside fr...
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