11 West 11th Street
LANDECK, Armin
Reference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
View full detailsReference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsWoodcut on thin Japan paper. Edition unknown, but likely one of a handful of impressions only. Aside from a couple of published prints, most woodcu...
View full detailsColor aquatint on wove paper. Edition unknown, but certainly small, like all the artist’s work. A small paper tab (which we add), handwritten in th...
View full detailsThe title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsLithograph on wove paperReference: Rose & Quiroz 78. Edition of 25. Signed, dated, and titled in pencil. Very fine impression in pristine condi...
View full detailsWoodcut printed in black ink on thin laid Japanese paper.Reference: Turzak 22.Edition of circa 50 or less.Signed and titled in pencil.
Color aquatint on wove paper. Edition unknown, but certainly small, like all of the artist’s work.A small paper tab (which we add), handwritten in ...
View full detailsColor intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
View full detailsColor aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
View full detailsColor aquatint on wove paper.Edition unknown, but certainly small, like all the artist’s work. A small paper tab (which we add), handwritten in cur...
View full detailsLithograph on white wove paper.Edition of 100. Numbered, titled, signed and dated in pencil. Very fine impression in pristine condition.
Wood engraving on cream laid japon volant paper.Edition of 50.Signed and titled in pencil. Very think scattered foxing; barely noticeable.
This work is on hold for a client. Please email to check availability. Color intaglio and viscosity print on wove paper, February 1964.Edition of 1...
View full detailsWatercolor and gouache on thick tan paper.Signed, located “Tunis” and dated in ink in the image, lower right corner. Read more about this work HERE.
Etching on cream-colored wove paper.Reference: Mary Ryan 59.Edition of circa 50.Signed in pencil
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsDrypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsAlso know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
View full detailsThis work of art is presumably by an American woman active in the 1920s by the name of Marjorie TAYLOR. Because we have been unable to confirm the...
View full detailsWood engraving on white wove paper.Edition of 50.Signed, titled and numbered in pencil.
Lithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
View full detailsEtching on wove paper, no date.Edition of 95.Signed and numbered in pencil.
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