8:30 Express
CALAPAI, Letterio
Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsWoodcut on thin Japan paper. Edition unknown, but likely one of a handful of impressions only. Aside from a couple of published prints, most woodcu...
View full detailsLithograph on wove paperReference: Rose & Quiroz 78. Edition of 25. Signed, dated, and titled in pencil. Very fine impression in pristine condi...
View full detailsWood engraving on laid japon volant paper. Edition unknown. Scarce. Pinto depicted ballerinas both in print and in painting. They usually do not re...
View full detailsEtching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsDrypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsColor pencil on light gray wove paper, circa 1910. Mothers or nannies daydream as children, mostly absent from the composition, sail toy boats o...
View full detailsColor pencil on light gray wove paper, circa 1910. A young boy sits on Central Park’s rocks, picturing himself in some wild land. Were it not fo...
View full detailsSilver-gelatin print, no date. Edition unknown. From a series of images titled Industrial Landscapes - Cleveland by the artist A very fine impr...
View full detailsMezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
View full detailsColor woodcut printed on Japan paper. Artist’s proof, (aside?) from the edition.Signed, titled, dated, and annotated “207/210 a/p” in pencil.
Watercolor and ink on wove paper, no date. Unique. A vibrant rendition of the Grand Canyon in its full glory with sunlight piercing through the sky...
View full detailsWoodcut printed on very thin Japan paper, no date. There is no stated edition, and this print may very well be a unique impression. Signed and ti...
View full detailsLithograph on off-white wove paper. Published by Associated American Artists. Signed and titled in pencil.
Color woodcut or woodblock print on Japan laid paper, no date. There seems to be no stated edition for this print. Likely from a small group of col...
View full detailsLithograph on wove paper, 1940. Reference: Rose &Quiroz 58. Edition of 35. Prentiss Taylor was an active member of the multidisciplinary art mo...
View full detailsLithograph on wove paper. References: Cole 34; Windisch, Cole Jr. & Herbaugh 389.Edition of 250. Published by Associated American Artists (AAA)...
View full detailsWood engraving on laid japon volant paper, 1935. Edition unknown. Not very common. This is a quintessential image of American industrialization...
View full detailsLithograph on wove paper, 1945.No stated edition, and scarce. It isn’t clear that any editions were ever printed of any of the artist’s few lithogr...
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
View full detailsWoodcut printed in black and white and in color linocut on wove paper. Created in 1975. Printed in 2003. Published by The Print Club of Cleveland f...
View full detailsWoodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
View full detailsInk wash on wove paper (on the back of a Connecticut commercial product list).Signed with monogram stamp GIO in a circle (?).
Intaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
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