Le Passé, Le Présent, L'Avenir (Louis Philippe)
DAUMIER, Honore
Lithograph sur blanc. Reference: Delteil 76 i/ii. Impressions sur blanc (on blank white paper), rather than the more common impressions on newspri...
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Lithograph sur blanc. Reference: Delteil 76 i/ii. Impressions sur blanc (on blank white paper), rather than the more common impressions on newspri...
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Etching on chine-collé on thick wove paper. References: Beraldi supplement 36; not in BN-IFF. Le Blanc mentioned that this plate was destroyed befo...
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Etching on wove paper. Reference: Delteil 241 ix/ix. Signed in pencil.
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Etching and drypoint on simili-japon wove paper.References: Béraldi 796; BN-IFF 420.From the series titled Six Fables de La Fontaine.After a gouach...
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Simultaneous color printing intaglio (color viscosity) on wove paper, no date.Stated edition of 95; extremely unlikely.Signed, titled, and numbered...
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Series of five woodcuts with color pochoir on laid Van Gelder Zonen, housed in a gray chine paper portfolio, 1915.Reference: BN-IFF 156.Stated edit...
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Etching on laid japon paper. Reference: Malassis et Thibaudeau 182 ii/xiv (?). Very rare according to the Bliss catalog (an impression of this sta...
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Simultaneous color printing intaglio (color viscosity) on BFK Rives wove paper, no date.Edition of 7. Signed, titled, and numbered in pencil.
Etching and drypoint on laid paper. Reference: Bliss 356 iii/viii. Signed in pencil. Fine impression, one of 6 of this state, and of only 26 impr...
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Lithograph on simili-Japan wove paper, circa 1893. Reference: related to Stein & Karshan (L'Estampe Originale) 59. Unpublished composition, ver...
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Lili au Boa Noir (original French title)Drypoint and roulette printed in three colors on laid Van Gelder Zonen paper.Reference: Ginestet et Pouillo...
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Etching and/or drypoint on thin wove Japan paper. Reference: Czestochowski (?). Dedicated “To Anne B Hardin” in pencil, this probably was a New Yea...
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Lithograph on Rives wove paper. Reference: Rose & Quiroz 27. Edition of 20. Titled, editioned, signed and dated “April 1933” in pencil. Very fi...
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Louise France à mi-Corps (original French title) Drypoint on laid paper.Reference: Tabanelli 89. An artist’s proof, before the signature was added ...
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Drypoint and direct bite on laid paper, 1900. Reference: Tabanelli 47. Second state of two.Total edition of 40 on a variety of papers, according to...
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Drypoint etching on laid paper.Refs: Grandgérard 68; BnF IFF 8.Pencil signed and inscribed third state, 1/1 with the artist's monogram in red ink a...
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Drypoint or etching on Japan wove paper.Edition of 100.Signed and initialed, titled, editioned, dedicated “To Revere Whistehuff”, and dated “June 1...
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Woodcut printed in black and white and in color linocut on wove paper. Created in 1975. Printed in 2003. Published by The Print Club of Cleveland f...
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Ramasseurs de Bouts de Cigares au Pont de Grenelle (original French title) Aquatint, soft-ground, and etching on laid paper.Reference: Morane 38. ...
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Two katazome stencil prints on Japan paper.Edition unknown. Likely created for the Anglo-Saxon market, or for a foreign company based in Japan.Not...
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Lithograph in brown ink on wove paper. Reference: Bonafous-Murat, Maurice Dumont et L’Épreuve 238. As published in "L'Epreuve", Paris, in edition ...
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Lithograph on wove paper, 1976. Edition of 25.Signed, titled, dated, and numbered in pencil.
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Color woodcut on ivory laid Japan paper, circa 1910. Edition of 100. Signed, titled, and numbered in pencil. Image: 10 x 6 ⅞ inches. The faintest ...
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