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Mystic Bridge
HEYMAN, Lawrence Murray
Intaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
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Intaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
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Nathalie Madoré (original French title) Color lithograph on smooth wove paper, on a support sheet.Reference: Crauzat 168.The unused and unfolded co...
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Cathédrale Naturelle (original French title)Drypoint printed on wove paper, 1929.Reference: Czestochowski 10.Total edition of 37.Annotated in the p...
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Lithograph on wove paper. Edition unknown. Very fine impression in very fine condition, aside from a very faint line of toning along a prior mat wi...
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Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
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James SWANN (1905-1985) Night in Chicago Drypoint on wove paper.Reference: Czestochowski 105.Published by Chicago Society of Etchers (with their bl...
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Profil de Nuit (descriptive French title) Etching and aquatint printed in brownish-black ink on tan wove paper, n.d.Edition unknown, but likely ver...
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Hospitalité de Nuit (original French title) Lithograph on tan wove paper, no date. Edition unknown, but certainly very small, if any at all was ev...
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Le Paysage Nocturne (original French title) Lithograph printed in two tones on laid Japan paper. From the series "Bruges Mystique et Sensuelle". ...
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La Nonchalante (original French title) Color aquatint and drypoint on laid paper, 1903.Reference: Koehl E153.From the edition of 50 published by Ed...
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Woodblock print, or color woodcut, printed with some mica inks, and with embossing, on Japan wove paper, circa 1970.Artist’s proof. It is unknown w...
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Aquatint and soft-ground etching printed in simultaneous color printing (color viscosity) on Arches wove paper.Proof impression, aside from the edi...
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Etching on simili-japon paper. Reference: Campbell Dodgson 55. Edition unknown, but certainly not very large. It has become very scarce and rarely ...
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O Laborum, Dulce Lenimen (original Latin title) Etching and drypoint on laid Rives paper.Refs: Schneiderman 8; Harrington 94; Drake 84.Titled and s...
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Lithograph sur blanc. Reference: Delteil 583 ii/iv. Impressions sur blanc (on blank white paper). Scarce as such. Published by "Bauger et Cie", i...
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Pen and ink wash on wove paper. Typical of Smith’s early drawings, mostly sketched during his time in Europe, this moody drawing is compositionally...
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Sur les Berges de la Seine. (french title)Watercolor on thick wove paper.Signed “Eug Delâtre” and dated “31 août 95” in black pencil.
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Sur la Plage (original French title) Color lithograph on Rives wove paper. Published by "Société des Peintres-Graveurs Français", with their blind...
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Color screenprint on cream wove paper.Edition of 15.Signed and annotated "15" in pencil.
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Lithograph printed in light gray and sepia on wove paper.Plate 5 with the "Wheat Head" remarque, from the series of 8 prints for the portfolio titl...
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Color woodcut printed on thin laid Japanese paper, 1930.Edition of 100.Signed, titled, and numbered in pencil.
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Pure-line engraving on laid Monval paper, circa 1923-25. Reference: Tonneau-Ryckelynck & Plumart 92. Edition of 35. Signed and numbered “1 = 35...
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La Place Pigalle en 1878 (original French title) Etching, aquatint, and drypoint on Japan paper, 1878.Reference: Bourcard & Goodfriend 129 vi/v...
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