Night Flight
ZIEGLER, Henry
Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsAquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsJames SWANN (1905-1985) Night in Chicago Drypoint on wove paper.Reference: Czestochowski 105.Published by Chicago Society of Etchers (with their bl...
View full detailsProfil de Nuit (descriptive French title) Etching and aquatint printed in brownish-black ink on tan wove paper, n.d.Edition unknown, but likely ver...
View full detailsHospitalité de Nuit (original French title) Lithograph on tan wove paper, no date. Edition unknown, but certainly very small, if any at all was ev...
View full detailsLe Paysage Nocturne (original French title) Lithograph printed in two tones on laid Japan paper. From the series "Bruges Mystique et Sensuelle". ...
View full detailsLa Nonchalante (original French title) Color aquatint and drypoint on laid paper, 1903.Reference: Koehl E153.From the edition of 50 published by Ed...
View full detailsWoodblock print, or color woodcut, printed with some mica inks, and with embossing, on Japan wove paper, circa 1970.Artist’s proof. It is unknown w...
View full detailsPure-line engraving on laid paper. Reference: Tonneau-Ryckelynck & Plumart 162. Unique state proof, before work throughout and before the tota...
View full detailsAquatint and soft-ground etching printed in simultaneous color printing (color viscosity) on Arches wove paper.Proof impression, aside from the edi...
View full detailsEtching on simili-japon paper. Reference: Campbell Dodgson 55. Edition unknown, but certainly not very large. It has become very scarce and rarely ...
View full detailsO Laborum, Dulce Lenimen (original Latin title) Etching and drypoint on laid Rives paper.Refs: Schneiderman 8; Harrington 94; Drake 84.Titled and s...
View full detailsLithograph sur blanc. Reference: Delteil 583 ii/iv. Impressions sur blanc (on blank white paper). Scarce as such. Published by "Bauger et Cie", i...
View full detailsPen and ink wash on wove paper. Typical of Smith’s early drawings, mostly sketched during his time in Europe, this moody drawing is compositionally...
View full detailsSur les Berges de la Seine. (french title)Watercolor on thick wove paper.Signed “Eug Delâtre” and dated “31 août 95” in black pencil.
Lithograph printed in black ink on wove paper. Reference: Bassham 28. Edition unknown. Signed and titled in pencil. Also annotated in the center-...
View full detailsColor screenprint on cream wove paper.Edition of 15.Signed and annotated "15" in pencil.
Woodcut on cream wove paper.Artist's proof aside from edition.Signed, titled, dated and annotated "207/210 a/p" in pencil.
Lithograph printed in light gray and sepia on wove paper.Plate 5 with the "Wheat Head" remarque, from the series of 8 prints for the portfolio titl...
View full detailsColor woodcut printed on thin laid Japanese paper, 1930.Edition of 100.Signed, titled, and numbered in pencil.
Pure-line engraving on laid Monval paper, circa 1923-25. Reference: Tonneau-Ryckelynck & Plumart 92. Edition of 35. Signed and numbered “1 = 35...
View full detailsLa Place Pigalle en 1878 (original French title) Etching, aquatint, and drypoint on Japan paper, 1878.Reference: Bourcard & Goodfriend 129 vi/v...
View full detailsEmbossed color woodcut on wove paper.Reference: Maki 290.Edition of 106.Signed, titled, dated, and numbered in pencil, and also bearing the artist’...
View full detailsWoodcut on Japanese paper.Reference: Cole 50.One of 15 impressions printed in 1937 by the artist. An edition of 60, plus 18 proofs was published b...
View full detailsMezzotint on Rives wove paper.Edition unknown.There is no indication of artist or title, yet this is a finely crafted mezzotint.It is likely French...
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