Approach of Spring
NASON, Thomas
Etching and engraving on laid paper.Published by the Society of American Etchers. Signed and dated in pencil.
Etching and engraving on laid paper.Published by the Society of American Etchers. Signed and dated in pencil.
Etching on laid paper.Reference: Delteil 61 v/v. Edition of 20. Signed and annotated "08 tiré à 20 ep." in pencil.
Etching with subtle plate tone on wove paper. Reference: Bliss 604, only state. Signed in pencil.
Etching, aquatint, and drypoint printed from multiple plates (to be printed in color) on woven paper.References: Béraldi 214 vi/vii; BN-IFF 342 &am...
View full detailsEtching and drypoint, on laid paper (1st state), on tan laid paper (2nd state).Reference: Béraldi 57.Two impressions, the first a proof impression ...
View full detailsEtching and aquatint on chine-collé on wove paper.Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated and numbered in pencil.
Aquatint, soft-ground, and etching on laid paper.Signed and annotated "Epreuve d'artiste" in pencil. Faint pale spots, mostly visible on the verso....
View full detailsEtching on thin wove paper, affixed in its four corners on a sheet of fibrous brown paper. Reference: not identified in BN-IFF, which mentions only...
View full detailsGraphite, conté crayon, and ink wash on wove notary ledger paper.Signed with an "R. Verdun" stamp (not in Lugt, and not the atelier sale stamp that...
View full detailsInk wash with touches of white gouache, watercolor, and crayon or chalk, drawn on the verso of a sheet of thin wove paper, with a French architectu...
View full detailsEtching printed in bistre on laid japon paper.Reference: Feltkamp 1894 - 001 /1. Very few impressions. We have only located one other one, printed ...
View full detailsEtching and false biting on laid paper.Reference: BN-IFF mentions that it is missing from the collection, volume IV, page 217.First impression of t...
View full detailsEtching on laid japon paper.References: Jennings 52, Curtis & Prouté 56 i/ii, Jennings 52, BN-IFF page 150.First state, before letters publishe...
View full detailsPencil on wove paper, affixed in four corners onto another sheet.We have not been able to ascertain whether this was a study after a master or an o...
View full detailsColor lithograph on tan wove paper. Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it ...
View full detailsEtching and aquatint on laid Arches paper. References: Beraldi 35; BN-IFF 79.The Bibliothèque Nationale mentions the existence of two states. Scar...
View full detailsEtching on laid paper.Reference: not in Delteil.Stated edition of 75, but unlikely.Signed and numbered in pencil. Very faint tone inside a prior ma...
View full detailsEtching with plate tone on thin wove paper.Reference: BN-IFF 31. Signed in blue pencil. Printer's crease in the top margin.
Etching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
View full detailsEtching on thick wove paper.Refences: Delteil/Wright 53 v/vi; Schneiderman 96 v/vii.Bearing a butterfly stamp (collector's stamp?) in the lower rig...
View full detailsEtching on chine-collé on this wove paper. References: Béraldi 162, BN-IFF 115. From the series titled Plantes variées gravées à l'eau-forte. Signe...
View full detailsEtching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
View full detailsEtching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
View full detailsEtching and aquatint on laid paper. References: Godefroy/Delteil 15 iv/vi, Coppier 12.Before the plate was cut down laterally by almost two inches....
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