
Abstract Composition: Red, Blue, and Yellow
GUERRERO, José
The title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsThe title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsColor aquatint and etching printed from at least two, and perhaps three color plates or primary colors.Stated edition of 25. It is unclear whether...
View full detailsColor aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
View full detailsEmbossed aquatint and soft-ground etching printed in color on Arches wove paper, no date. Edition of 60. This could be by James A. McConnell (P...
View full detailsCollage on board, no date. Unique. Our title is made up. It’s what it evoked in us, but one should feel free to see something else in this whimsic...
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
View full detailsL’Eternel Naufrage (original French title) Color aquatint on wove paper.Edition of 75.Signed and numbered “9/75” in pencil. TO SEE MORE WORKS OF AR...
View full detailsColor aquatint and drypoint printed on handmade French paper.Edition of 25. Scarce.Signed and numbered in pencil.Very fine impression in pristine ...
View full detailsColor aquatint printed on wove paper. Edition of 40. Published by Jacqueline de Champvallins, Paris. Signed and numbered "35/40" in pencil.
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