Ellipse
HAASS, Terry
Monotype on wove paper, 1953 (?).Unique work. While the artist is known to have made such monotypes from the mid-1970s to the mid-80’s it’s unclea...
View full detailsMonotype on wove paper, 1953 (?).Unique work. While the artist is known to have made such monotypes from the mid-1970s to the mid-80’s it’s unclea...
View full detailsPencil on wove paper, affixed in four corners onto another sheet.We have not been able to ascertain whether this was a study after a master or an o...
View full detailsLes Usines sous la Neige (original French title) Color drypoint and aquatint on simili-japon paper.Reference: Delteil 89. Second state of two. E...
View full detailsWoodblock print, color woodcut, printed on Japan wove paper, circa 1950-60. Bearing the artist’s red seal and stamped “Kiyochi Saito” in black ink ...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper,Reference: Novák 192. Edition of 200. Signed and numbered in pencil,...
View full detailsLithograph printed in four tones on thick wove paper, 1888-1902. Reference: Fields page 77-78. Plate 1 from the series titled Les Trente-Six Vues d...
View full detailsGazelle et Biches I (original French title) Engraving on Monval verdâtre paper.Reference: Tonneau-Ryckelynck & Plumart 211. The printmaker’s pe...
View full detailsColor woodcut printed on Japan paper. Artist’s proof, (aside?) from the edition.Signed, titled, dated, and annotated “207/210 a/p” in pencil.
Banquise (original French title) Engraving on laid Monval verdâtre paper.Reference: Tonneau-Ryckelynck & Plumart 155. Erroneously presumed to b...
View full detailsGasthaus Unewatt II (original German title) Color aquatint and etching on wove paper.Edition of 75. Immediately to the north of Hamburg, Germany, l...
View full detailsEmbarcadère sur la Garonne, Bordeaux (original French title) Etching and aquatint printed in four colors on laid paper.Reference: Lotz-Brissonneau ...
View full detailsLithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
View full detailsColor woodcut on japon pelure. Reference: BN-IFF 2. Published by L’Art et l'Affiche, Paris. With letters. A diagonal crease in the upper right ima...
View full detailsColor woodcut on wove paper, 1920.Reference: BN-IFF 32.Plate 14 from the series of 16 woodcuts, titled Vues de Paris, published by L. Rouart.Editio...
View full detailsPlace de l'église St Pierre à Montmartre (alternate title) Color aquatint and soft-ground etching on laid japon paper. Reference: listed as missing...
View full details佐藤暢男 (original Japanese title) Color etching on wove paper.Edition of 50. Annotated in Japanese “Study of illustrations for a poetry anthology (Sp...
View full detailsPaysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
View full detailsL’Adieu au Village (original French title) Color etching and aquatint on wove paper.Edition of 100. Scarce. We have yet to encounter another impr...
View full detailsColor drypoint on simili-japon paper.Reference: Delteil 21 v/v.Edition of 100.Signed and numbered in pencil.
Lili au Boa Noir (original French title)Drypoint and roulette printed in three colors on laid Van Gelder Zonen paper.Reference: Ginestet et Pouillo...
View full detailsKistje met Rode Pruimen (original Dutch title) Color mezzotint on Arches wove paper, 2004. Edition of 100. Signed, titled, dated, and numbered in p...
View full detailsSeigneur Prenez Pitié… (original French title) Aquatint printed in blue and warm-gray inks on wove BFK Rives paper, circa 1918. This plate was poss...
View full details霧の中の恋人たち-口絵 , 愛のフラワーブーケ (original Japanese title) Embossed color woodblock printArtist seal: Toshikata. Publisher: Bungei Kurabu, Vol. 6, No. 12. ...
View full detailsColor lithograph printed on thin wove paper. References: Bouvet 69, Johnson 10-11.Edition of 100.From the artist’s famous series Quelques Aspects d...
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