Western Saga
ANDERSON or ANDRESON, Carlos
Lithograph on wove paper. Reference: Windisch, Cole, and Herbaugh 546. Stated edition of 250, which is either an error, was never printed in those ...
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Lithograph on wove paper. Reference: Windisch, Cole, and Herbaugh 546. Stated edition of 250, which is either an error, was never printed in those ...
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Etching and drypoint printed in two tones on simili-Japan paper. Reference: Bourcard & Goodfriend 177. Seventh and final state. A beautiful “sa...
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Drypoint on BFK Rives wove paper. Reference: Zinc 68 (?).Scarce. No known edition. Just a handful of impressions seem to have survived, some signed...
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Fleurs des Champs (original French title)Pure line engraving on laid paper.Edition of 50.Signed and numbered "16/50" in pencil.
Drypoint and etching on laid paper. One of only two impressions in the second state of (?). Signed and annotated “2e St. 2/2”.
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Graphite drawing on paper, mounted on thin board, circa 1920-30. An elaborately detailed and large drawing by an artist who remains surprisingly un...
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Etching on wove paper, touched up with pencil in the lower window frame. Small margins on the sides.
Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph printed on wove paper.Edition of 250. Published by “Associated American Artists”. Signed in pencil. Very faint tone inside a prior mat ...
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Lithograph printed on wove paper.Edition of 250.Published by “Associated American Artists”.Signed in pencil.
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L’Hiver à Paris or La Neige à Paris (original French titles) Etching, aquatint, scraper, and drypoint on laid paper.Reference: Bourcard & Goodf...
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Une Matinée d’Hiver au Quai de l’Hôtel-Dieu (original French title) Etching, drypoint, and aquatint printed in black ink on thick wove paper, 1876...
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Matinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
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Drypoint on laid paper. Reference: McCarron 110. Edition of 41. Martin Lewis loved depicting snow, both in the countryside and in the city. This co...
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Lithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
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Femme au Bord d'un Etang (descriptive French title) Charcoal, wash and scraping, and some sepia on cream paper.Signed and dated, lower left corner....
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Norbert GOENEUTTE (1854 - 1894) Femme Assise au Coin du Feu ou Rêverie du Soir (original French titles) Etching and drypoint on laid paper, circa ...
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Femme Assise au Bord de l'Eau (descriptive French title) Aquatint printed on laid paper.Reference: unidentified in BN-IFF.One of only two impressio...
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Pierre BONNARD (1867-1947) Femme Debout dans Sa Baignoire (original French title) Lithograph on wove paper.References: Bouvet 94; Frapier 11.One of...
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Michel FINGESTEN (1884-1943) Mezzotint rocker or roulette & drypoint on laid paper.Edition of 50.Signed and numbered in pencil.A very fine impr...
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Double Prise de Tête à Terre (original French title) Etching, soft-ground and aquatint printed in brownish-black ink on chine-collé on thick wove p...
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Jeune Femme au Bain (original French title) Etching on laid paper, after 1866.Reference: Beraldi 423. In Rembrandtian tradition, Charles Jacque dra...
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Frontispice pour 'Les Zigzags d’un Curieux' d’Octave Uzanne (original French title) Etching printed "à l’essence" on old thin laid paper, 1888.Refe...
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Etching printed on wove paper. Reference: not in British Museum. Edition of 75. Signed and numbered “37/75” in pencil. A few very faint stains, mo...
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