Odysseus' Perils
NEUSTADT, Barbara
Aquatint and soft-ground etching printed in simultaneous color printing (color viscosity) on Arches wove paper.Proof impression, aside from the edi...
View full detailsAquatint and soft-ground etching printed in simultaneous color printing (color viscosity) on Arches wove paper.Proof impression, aside from the edi...
View full detailsWerner DREWES (German-American, 1899-1985) The Green Moon Color woodcut on Japanese paper.Reference: Rose 308.Edition of 30.Signed, numbered and da...
View full detailsColor viscosity intaglio print on ivory Japan paper.One of 15 artist’s proofs, aside from the edition of 65.This, like all the artist’s prints from...
View full detailsColor viscosity intaglio on Arches wove paper.Stated edition of 10, but according to the artist likely not printed in full.Printed while the artist...
View full detailsSimultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
View full detailsCut-out intaglio (engraving, other tools, aquatint) from multiple plates printed in two colors on wove paper. Artist’s proof. Edition unknown.Sign...
View full detailsGraphite on wove paper. Signed in pencil.Inscribed with the location.
Mezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
View full detailsColor aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsColor viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.
Color viscosity intaglio print on tan wove paper, 1957.Artist's proof. No edition as a such. But clearly used for another edition.Seemingly this ...
View full detailsThe title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.
Color linocut printed on tan wove paper.Editions unknown, but certainly small and possibly unique.Reed was known mostly as a fashion designer, not ...
View full detailsColor woodcut on Japanese paper, 1978.Reference: Rose 370.Edition of 25.Signed, numbered and dated in pencil.
Oiseau Fleur (original French title) Color aquatint and etching on thick wove paper.This is likely a simultaneous color print (color viscosity prin...
View full detailsMonotype on wove paper, 1953 (?).Unique work. While the artist is known to have made such monotypes from the mid-1970s to the mid-80’s it’s unclea...
View full detailsArun BOSE (Born 1934) Color intaglio (aquatint & etching) viscosity print on wove paper, 1969.Edition of 100.Signed, titled and numbered in pen...
View full detailsWatercolor and pencil on wove paper. Want to see more work by John W. Cline?Visit our website dedicated to contemporary prints, Mesh Art Gallery.
This work is on hold for a client. Please email to check availability. Color intaglio and viscosity print on wove paper, February 1964.Edition of 1...
View full detailsColor wood engraving on laid paper. Edition of 75. Signed, titled and numbered in pencil.
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