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Painterly Prints

It may be hard to fathom today, but once upon a time prints were monochromatic. When the first generation of Western printmakers challenged themselves to create etchings, lithographs, and woodcuts in color, their efforts were at first viewed with disdain by many. Japanese woodcuts, which had been printed in color for hundreds of years by then, showed artists the way. This revolution was particularly hard-fought for intaglio: etching, aquatint, drypoint, and assorted copper-plate techniques. Etching was regarded mostly as a “graphic” art, from the ancient Greek, γράφειν: to write. The expectation was that the graphic artist was to render his vision in line or grayscale only. Color was for painting. Yet many printmakers forged ahead, threw caution to the wind, pushed the envelope. This selection is an ode to those works of art: painterly etchings.

The Windmill
$750

The Windmill

ROUX-CHAMPION, Victor-Joseph

Le Moulin (descriptive French title) Color aquatint and etching on laid Arches paper.Edition unknown, certainly small, if any.  We have never encou...

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Space Object
$175

Space Object

CIESLARCZYK, Adolphe

Color aquatint printed on wove paper. Edition of 40. Published by Jacqueline de Champvallins, Paris. Signed and numbered "4/40" in pencil. TO SEE M...

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On the Road
$1,000

On the Road

RAFFAELLI, Jean-Francois

Sur le Chemin (original French title) Color etching printed on laid paper.Reference: Delteil 39.Edition of 50 in the fourth and final state. Scarce...

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Bernard Boutet de Monvel - La Patineuse - female fashion ice skater - color aquatint and soft-ground etching
$1,500

The Skater

BOUTET DE MONVEL, Bernard

La Patineuse (original French title) Color aquatint and soft-ground etching printed in color on thick wove paper. References: neither in the BN-IFF...

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