Le Cavalier en Forêt et le Piéton
COROT, Jean-Baptiste-Camile
Cliche-verre, mounted on card. Reference: Delteil 48. Exceedingly scarce, early impression in brown.The last impression to come up for auction was ...
View full detailsCliche-verre, mounted on card. Reference: Delteil 48. Exceedingly scarce, early impression in brown.The last impression to come up for auction was ...
View full detailsGeorges AURIOL (1863-1938) Lithograph with pochoir coloring.References: Armond Fields 402.Unused menu for the famous cabaret.Very rare in this exce...
View full detailsEtching on chine-collé on white wove paper. Reference: Van Gelder 107 only state. As published in Revue Fantaisiste, September 1861. Faint foxing i...
View full detailsEtching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
View full detailsEtching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
View full detailsL’Adieu au Village (original French title) Color etching and aquatint on wove paper.Edition of 100. Scarce. We have yet to encounter another impr...
View full detailsAquatint and etching on wove paper. Edition unknown. Signed and titled in pencil. Very fine impression in near perfect condition, aside from the fa...
View full detailsColor aquatint printed from multiple cut-out plates on wove paper. Edition of 125. No date. Signed, titled and numbered in pencil.
Lithograph on wove paper. Ref : Library of Congress 4. Edition of 40. Dedicated "To Peter Helek" and signed in the image. Signed and dedicated "To ...
View full detailsLooner Diep (original Dutch title) Color woodcut reduction printed on thin laid japon paper.Edition of 34.Plate 2 from the series "Aards Paradijs"....
View full detailsVerloren Mais Akker No. 2 (original Dutch title) Color woodcut reduction on thin laid paper.Edition of 38.Signed, titled, annotated and numbered in...
View full detailsAmour : douze lithographies en couleurs (original French title) Color lithograph printed on thin wove chine paper.Reference: Cailler 107.Title page...
View full detailsJardin du Luxembourg (original French title) Color etching and aquatint on laid paper. Ref: Goldschmidt 25. Edition of 50. Published by Charles H...
View full detailsColor woodcut on ivory laid Japan paper, circa 1910. Edition of 100. Signed, titled, and numbered in pencil. Image: 10 x 6 ⅞ inches. The faintest ...
View full detailsAquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
View full detailsCouverture pour le Dîner des Cent Bibliophiles (original French title) Color photolithograph printed on Rives wove paper.Reference: Armond Fields 4...
View full detailsColor lithographs (two states) on wove paper.Reference: Fields 403.Two impressions: one before the menu was added, but before the removal of the tw...
View full detailsTête de Mineur (original French title) Lithograph printed on chine-collé on a thick support sheet.References: Stein & Karshan 47; Boyer & C...
View full detailsStella Matutina (original Latin title) Lithograph printed in two tones on chine collé on wove paper.Reference: BN-IFF 2.Plate 3 for the set of 9 co...
View full detailsPromenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900.Edition of 50. This print has become qui...
View full detailsCathédrale Naturelle (original French title)Drypoint printed on wove paper, 1929.Reference: Czestochowski 10.Total edition of 37.Annotated in the p...
View full detailsCarte de Voeux 1907 (original French title) Reference: Fields 366.Edition unknown, certainly small.With letters.Very fine impression in excellent c...
View full detailsCarte de Voeux 1917 (original French title) Reference: Fields 371.Edition unknown, certainly small.With letters.Very fine impression in excellent c...
View full detailsColor woodcut on thin paper.Edition of 50. Colors vary in each impression, sometimes only a little, sometimes a lot. In our biased opinion, this ...
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