For a Sensational Project
VILLON, Jacques
Pour un Projet Sensationnel or Le Secret (original French title) Drypoint on Arches laid paper. Reference: Ginestet et Pouillon E106. Artist’s proo...
View full detailsPour un Projet Sensationnel or Le Secret (original French title) Drypoint on Arches laid paper. Reference: Ginestet et Pouillon E106. Artist’s proo...
View full detailsGouache and watercolor on wove paper. Signed and dated in gouache. Housed in a mat cut to the shape of the image.
Lithograph on wove paper, circa 1930.Signed in pencil.
Le Pont (original French title) Color lithograph printed on thin wove paper, 1899.Reference: Bouvet 66. Edition of 100.From the artist’s famous ser...
View full detailsColor lithograph on chine, mounted in four corners to wove paper.Ref: Bibliothèque Nationale - IFF 27.Total edition of 60, of which 20 with remarqu...
View full detailsBlack crayon, colored pencil, and pastel on wove paper. Unrelated to any print by the artist; likely an idea that never really went any further, th...
View full detailsBlack crayon, colored pencil, pastel, with white gouache highlights on wove paper. Possibly related to an unidentified print. A very fine drawing b...
View full detailsEtching and drypoint printed in two tones on simili-Japan paper. Reference: Bourcard & Goodfriend 177. Seventh and final state. A beautiful “sa...
View full detailsEtching on laid paper. Reference: Delteil 14 ii/ii. Superb impression of Millet's rarest, and arguably best etching. Large margins (tips of two co...
View full detailsAquatint, soft-ground, and etching on laid paper.Signed and annotated "Epreuve d'artiste" in pencil. Faint pale spots, mostly visible on the verso....
View full detailsInk wash on wove paper (on the back of a Connecticut commercial product list).Signed with monogram stamp GIO in a circle (?).
Etching and engraving on laid paper.Published by the Society of American Etchers. Signed and dated in pencil.
Etching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
View full detailsLithograph on thin beige wove paper.Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it...
View full detailsColor lithograph on tan wove paper. Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it ...
View full detailsEtching printed in bistre on laid japon paper.Reference: Feltkamp 1894 - 001 /1. Very few impressions. We have only located one other one, printed ...
View full detailsEtching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
View full detailsEtching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
View full detailsEtching and aquatint on laid Arches paper. References: Beraldi 35; BN-IFF 79.The Bibliothèque Nationale mentions the existence of two states. Scar...
View full detailsEtching on thin wove paper, affixed in its four corners on a sheet of fibrous brown paper. Reference: not identified in BN-IFF, which mentions only...
View full detailsEtching and drypoint, on laid paper (1st state), on tan laid paper (2nd state).Reference: Béraldi 57.Two impressions, the first a proof impression ...
View full detailsLithograph on tan wove paper.References: Roger-Marx 16; Aitken 58, Eckert Boyer 36 .Program for a play by Henrik Ibsen at the Théatre de l'Oeuvre.P...
View full detailsEtching and aquatint on chine-collé on wove paper.Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated and numbered in pencil.
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