Stylistically speaking, Charles Maurin (1856-1914) can be considering quite conservative. While many of his piers were exaggerating sinuous lines, such as in symbolism, or pushing angular lines in early cubist tendencies, Maurin stuck to a fairly neoclassical, realistic style. This does not however mean that he was predictable. Focused almost exclusively on renderings of modern life, the evolving role of women and children in modern society was particularly close to his heart. It seems that his anarchistic tendencies played a role in this. As a printmaker he started by depicting Montmartre in black and white etchings, but soon turned to color printmaking. Maurin was one of the first artists to design color etchings made or multiple plates. He eventually became one of France’s most accomplished practitioners of color aquatint.
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Printed on laid paper. Ref: Goldschmidt 25. Edition of 50. Published by Charles Hessele, with his purple monogram stamp (Lugt 554). Signed and numb...
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Femme Nue Assise, Vue de Dos (original French title) Etching or drypoint on simili-japon paper.Edition unknown, certainly small.We have never encou...
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Printed on Arches laid paper. Reference: related to Goldschmidt cat no. 48, 24 & 25. Likely aside from an edition of 25 or 50. Faint discolorat...
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Prov.: Galerie Ed. Sagot, Paris; Herbert Schimmel; R. H. Ellsworth. "As fas as I'm concerned, there are only two painters that count, Ingres and Ma...
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Printed on laid Arches paper. Reference: Gounot 82G. Edition of 50. Likely published by Edmond Sagot. Signed and numbered "25/50" in pencil.
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Color etching and aquatint on thick wove paper, 1891. Refs: Cate & Grivel 116; Granjean & FrŽchuret 87. Edition unknown, probably circa 50....
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Color etching and aquatint on laid paper, 1897. Ref: Una Johnson 82. Edition of 100. From "L'Album d'estampes originales de la Galerie Vollard, 189...
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Femme Nue Assise or Eve (descriptive French titles) Color etching and aquatint printed from four plates on Arches wove paper.We are presenting a gr...
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Jardin du Luxembourg (original French title) Color etching and aquatint on laid paper. Ref: Goldschmidt 25. Edition of 50. Published by Charles H...
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