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Aquatint: a painterly intaglio technique

While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging.  And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers.  Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists.  These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings.  Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color.  Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint.  Here are a few we have, or have had in the past.

Kathleen Spagnolo - Cinema - color intaglio - color viscosity - detail Sold
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Cinema

SPAGNOLO, Kathleen M

Color aquatint and etching on Arches wove paper.Artists proof.  Edition unknown, but likely small, if any was printed at all.  We have never seen a...

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Nicholas PHILLIPS - Orrery - monochromatic aquatint - mezzotint - planets - detail1
$400

Orrery

PHILLIPS, Nicholas

Aquatint printed on thick wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and nu...

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Michael Fairclough - Western Isle II - colo aquatint - detail Sold
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Western Isle II

FAIRCLOUGH, Michael

Color aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...

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Terry Wilson - Anatomy of a Scream - Aquatint mezzotint drypoint - detail
$400

Anatomy of a Scream

WILSON, Terry

Aquatint, mezzotint, and drypoint on Arches wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washingto...

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